Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.
A follow up to Under Cover aka The Company(1991. Linda Purl is again Kate Del 'Amico, National Intelligence Agent who travels to Kuwait in 1990 to investigate the possibility of an Iraqi invasion. When it is discovered that the Iraqi's plan to launch a missile of chemical warfare, the Agency must sacrifice trainee Sam Hamadi (Jesse Borrego) in order for the missile site to be pinpointed.
Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team—who went in to rescue hostages left behind after Desert Storm.
It's Fourth of July Weekend, and the recently discovered corpse of Sgt. Sam Harper rises from the dead to punish the unpatriotic.
A Mossad agent goes to New York to try to stop an illegal arms shipment to Iraq prior to the Gulf War and discover the mystery behind his mother's rape and suicide.
Everything you've ever wanted to know about Saddam Hussein (but were afraid to ask).
Comical Ali is a spoof documentary about the thus-nicknamed former Iraqi Minister for Information, Mohammed Saeed Al-Sahaf, whose bravura performances at press conferences throughout the brief Iraq War of 2003 turned him into a global icon.
A documentary about the 8-day sit-in struggle by GANG Cheolmin, a 22 year-old private in the South Korean army who declared his objection to military service on November 21, 2003 in order to stop the South Korean government from sending troops to Iraq, and the peace groups supporting him.
If a picture paints a thousand words, what will photographs from the Second Gulf War show us? This special focuses on the embedded photographers who traveled with fighting units on the cutting edge of the armored spear slicing into Iraq. The war was thereto be captured in all its raw truth by any photographer with the guts to step out and shoot the picture. In collaboration with the Associated Press, we view never-before-seen photos that portray the horror, struggle, and endurance of mankind.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
Interviews with varied U.S officials and experts offer a deconstruction on the Bush administration's case for war in Iraq in the wake of 9/11.
Ten families read letters from their loved ones killed during Operation Iraqi Freedom in this powerful and moving HBO documentary by Oscar and Emmy Award-winning filmmaker Bill Couturie (Dear America: Letters Home from Vietnam). Photos of the soldiers in military and civilian life are shown as family members read the final correspondence received from Iraq and share their thoughts and memories about the fallen troops and the realities of war.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
FRONTLINE tells the stories of soldiers who have come home haunted by their experiences during the Iraq War and asks whether the government is doing enough to help.
Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)
Years after the U.S. invasion of Iraq, a loosely organized insurgency continues to target American and Coalition soldiers, as well as Iraqi security forces and civilians, with devastating results. In this sobering account of the ongoing violence, Ahmed Hashim, a specialist on Middle Eastern strategic issues and on irregular warfare, reveals the insurgents behind the widespread revolt, their motives, and their tactics. The insurgency, he shows, is not a united movement directed by a leadership with a single ideological vision. Instead, it involves former regime loyalists, Iraqis resentful of foreign occupation, foreign and domestic Islamist extremists, and elements of organized crime. These groups have cooperated with one another in the past and coordinated their attacks; but the alliance between nationalist Iraqi insurgents on the one hand and religious extremists has frayed considerably.
Soundtrack to War showcases spontaneous music performances by a striking cast of battle weary. Performances made without rehearsal, under the blaring Iraqi sun, with a destroyed city, the distraction of gunfire and bursting mortar shells forming a frightening backdrop. American culture came into Iraq, wired into its tanks and helicopters - a live soundtrack to war, with lyrics such as Let The Bodies Hit The Floor, Round Out, The Tank and Bombs over Baghdad, being memorised by every soldier and forever linked to the violent events they accompanied. As the war extended into a second year, many started writing and performing their own songs. It was rock, rap & roll.
During Operation Iraqi Freedom, a US Army Squad is sent to a small Iraqi town to locate a missing news crew, only to find the residents of the town dead and a living weapon of mass destruction, a Manticore, awakened from its long slumber by a terrorist leader wanting to rid his land of the American invaders at any price.
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.