This video work shows the artist walking the streets of London, trailing a wooden drumstick along a series of metal railings, making a percussive, sometimes bell-like noise. The camera follows behind, focusing on the stick as it hits the railings. Occasionally it cuts to wide-angle shots, capturing the awkward and strangely humorous presence of other people. The work is a playful example of one of Alÿs’s ‘interventions’ in a city.
In “Samples II”, Alÿs walks around London, England with a drum stick in his hand, playing the sounds of metal fences beside him.
First film by Nobel Prize laureate Gao Xingjian.
Journalist Alastair Sooke sets out to discover just how much artists like Andy Warhol, Henri Matisse, Pablo Picasso and Salvador Dali have influenced our modern lives, and explains why their art is considered so great.
The Tender Skin, a struggling writer-turned-bartender grapples with longing and regret when a chance encounter reignites buried feelings at an art gallery.
remembering/modifying/developing is a musical belief-making system. It consists of three parts; a series of repeated and changing performances that are live and broadcasted as video afterwards; a sculptural installation that shifts its appearance every time I perform; and lastly, the sounds produced in each performance added to the sound from the previous time, creating denser and denser musical belief. I re-inhabit the physical and psychological patterns of this performance over and over again.
Through a collage of spaces and times, the interventions and interferences of nature and human beings in the south of Brazil reveals themselves... or try to hide.
“A Two Hearted Tale” is a heartfelt look at the history of the iconic trout label adorning Bell’s Two Hearted Ale, the Michigan-born beer that is the most popular IPA beer in America, and the label’s eccentric artist, Ladislav Hanka.
A film about and with Max Ernst.
This is a compilation of Assume Vivid Astro Focus' video work. Born anytime between the 20th and 21st century in various parts of the world, nomads, AVAF is the combined name for the New York based Brazilian artist Eli Sudbrack and his ongoing 21st century aesthetic research project. AVAF is splashing in the interstices between art and entertainment, converting these gaps into mental pools of sensorial joy and/or sensorial pools of mental joy.
Disappearing Man is an intimate film portrait of TriBeCa artist Robert Janz - whose ephemeral, streetscape water paintings reflect on the impermanence of the artist’s own life. Robert Janz’s unique artistic medium is water on brick, stone or concrete. He paints totemic words on New York City façades and sidewalks. Janz’s self-erasing word paintings challenge the serendipitous viewer to reflect on the contradictory nature of artistic practices that often capture and immortalize both a fleeting moment in time and the mortal artist that captured it. In capturing this story of the artist at work, the film evokes Janz’s philosophical musings on practicing an art form that is very much a metaphor for his own mortality. Both the filmmaker and the viewer clearly become not just observers but students of Janz and his art.
This narrative restraint appears perhaps most clearly in Wangechi Mutu’s video Cutting, in which the artist enters the frame and proceeds to rhythmically hack away at a log in an expansive desert landscape before finally laying down her machete and leaving the frame.
A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.
The story of the first house/museum/school in the surburbs of Salvador: Acervo da Laje. Through interviews and photographic records of the Plataforma neighborhood, the short film proposes a reflection on the right to the city, especially the right to art in Salvador's favelas. As well as problematizing the lack of incentives for peripheral culture, it also explores the relationship between care and learning. With moving stories, Zé Eduardo and Vilma Santos will tell us a little about the construction of the collection they designed together. Acervo da Laje goes beyond being just a physical space; it is a daily practice that encourages art and knowledge for people with a voice who have never had the opportunity to be heard.
The story of the circumstances in which Zoran matured as an artist, learning from the best. Zoran is a master at turning every seemingly difficult situation into an opportunity. And it does it all with incredible ease. His sculptures are alive. That is why the North American Indians gave him the Indian name Tunka Kitka - The man who awakens the stone.
Shows how to use and care for crayons and some of the crayon techniques. Explains creative drawing, poster making, imprinting a design on cloth and other crafts.
In June 2019, arts journalist John Wilson received an extraordinary tip-off – one billion dollars’ worth of stolen art may be about to be recovered. Included are a unique Rembrandt - his only seascape - and a Vermeer considered the most valuable stolen painting in the world. The art was taken from the walls of the Isabella Stewart Gardner Museum in Boston in the early hours of 18 March 1990. It remains the world’s biggest unsolved art heist. For John, to follow the recovery of the paintings, as it happens, would be the biggest art story of the century.
Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?
A failed filmmaker tries to make peace with his conscience