The first-ever Moroccan feature film tells the story of a boy who becomes a delinquent due to his parents' negligence.
Violence and vandalism are bad m'kay?
A small town boy heads for the lights of the big city and discovers the delights of hard liquor and fast women. Ere long, he becomes an addict, a dope peddler and a shop-lifter to obtain money for drugs.
A juvenile delinquent escapes the hall and responses to ad of the parents who lost their son in WWII. After being accepted with much love and care, he reconsiders his initial plan to rob the family.
This color educational movie “Narcosis” is a “scare film” about the realities of heroin and drug addiction The title narcosis refers to a state of stupor, drowsiness, or unconsciousness produced by drugs. According to a card at 1:50, actual addicts appear in the film.
Vienna in the late 90s. VHS footage reveals the video-diary of Markus and Ana, a young unemployed couple. Boredom and the need for an adrenaline fix pushes them into a spiral of theft, alcohol and drugs.
A group of youths terrorise their local town by torturing and killing random people. A group of mercenaries attempt to intervene.
Falling Like This showcases compelling performances by two young actors, Brian Vaughan and Megan Wilson. Writer/Director Dani Minnick has crafted a compassionate examination of the ragged edge of suburban life as characterized by Boyd, a charming, vulnerable and inveterate juvenile delinquent whose love nearly derails the life of a middle-class teenage girl. The understated themes of adolescent rebellion, adult responsibility and the redemptive power of love are woven elegantly into this dream-like film.
Some argue that modern graffiti was born in Philadelphia, where the pioneers of wall-writing became citywide celebrities during the late 1960s and early 1970s. Graffiti eventually consumed the city, and a new mayor made it his top priority to fight back. In the process, the city's Mural Arts Program was born. Philadelphia is now a great outdoor museum. Yet graffiti still thrives, with new writers always ready to replace those who are caught or quit.
Two young high school boys spike the punch at a Halloween party, mischievously let the air out of car tires, and finally steal a car to go for a joyride. They're caught and thrown in jail, and, as the narrator says, this proves that pranks lead to "habit-forming wildness," and, of course, such anti-social behavior cannot be allowed to happen
An adolescent arrives in a new town where he tries to join the drag-racing crowd.
The youngsters housed in the "Almafuerte" Maximum Security Juvenile Institute have their first approach to audiovisual recording. A film and documentary video workshop serves as an excuse for them to make a short film inside the prison. The camera is a rabid toy that generates fascination in them and rescues a sheltered, innocent smile that seemed forgotten under the shadows. While inside libertarian cries bounce against the walls, outside sounds fanfares of an iron fist.
The film tells the story of Ramón Antonio Brizuela, who since childhood has to deal with rampant violence and the drugs, sex and petty thievery of a Caracas slum. Starting with delinquency, Ramón moves on to serious gang activity and robberies. He grows into a tough, self-confident young man who is hardened to violence. His views change when his fiancée's brother is killed in a robbery.
Hugo, 34, an educator at the boarding school, finds is daily life disrupted by Jules, a provocative teenager.
The family of Nug-rob and Rutai-rat have two teenage sons, Rit who has a very sensitive temper and addicted to gambling, and Ron a violent young boy who loved to hang around with the neighborhood teenagers. Sai, a pretty young girl who is a distance relative also live in the house. One day, after the two brothers watched and X-rated video.
The short is about three juvenile delinquents who break out of prison, kidnap a prostitute and a driver and play with them on an empty beach.
The parents are at their wits’ end, so a temporary supervision order is the last hope for a group of teenagers in Punks. Now, on a remote farm in France, they’re going to have to get their lives back on track, with the help of a counselor. If they want any chance of a happy life, they need to engage in some frank and painful conversations. Mitchel has to find a way to get along with his father, but maybe too much has already happened since his mother died. Jahlano is already at the next stage: he’s no longer allowed to live with his mother, and needs to get over the disappointment. Mike, meanwhile, is struggling with his image as a boy who’s “got a screw loose.” Filmed in constant close-up by director Maasja Ooms, the teenagers try to tame their demons with music and therapy, but problems from the past keep resurfacing. In this intimate and sincere portrait, these troubled kids show us their most vulnerable sides.
After years of living in her selfish parents' (Melvyn Douglas and Lynn Bari) egotistical shadows, desperate teenager Jill Bradley (Joan Evans) makes a last-ditch play for attention by attempting suicide. Jill's guilt-ridden father tries at last to help her and to cheer her up but new problems