After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.
The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.
Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.
Прича о најбољим пријатељима и нераздвојним члановима глумачке екипе из Њујорка, која наступа пред малим бројем гледатеља за скромне хонораре и која не добија признања. Сви маштају да ће једног дана постати професионалци, а када један члан добије позив за учествовање у популарној емисији, остали су приморани да се суоче са очајем, љубомором, и спознајом да никада неће постати професионални глумци.
"All-Stars" is a hilarious commentary on the state of all youth sports today, fueled by the outrageous behavior of the desperate sports parent living vicariously through his or her child. In the vein of "Best in Show", where it's more about the dog owners than the dogs - "All-Stars" is about the adults involved in youth sports (parents, coaches, umpires, volunteers, board members, etc.) more than the kids. The end result is a funny, yet compelling spin on fast pitch softball as well as a unique state of affairs on the outlandish antics of a few crazed parents.
Five years into performing as renowned filmmaker George Lucas in the cult comedy show "The George Lucas Talk Show", comedian Connor Ratliff questions the need for its continuation and his own drive for success and fulfillment in show business.
Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.
Two young strangers meet in Naples and begin to flirt and dance in the street.
When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!
On the heels of their enormously popular TV show, the Upright Citizens Brigade (Matt Besser, Amy Poehler, Ian Roberts, Matt Walsh) bring you Asssscat - an unparalleled improv comedy juggernaut. Beginning with a suggestion from the audience, a guest monologist tells a story that kicks off a series of high-octane improvised sketches. From medical marijuana to embarrassing sexual encounters, no topic is off limits to the renegade performers who have helped make Asssscat one of the longest running improv shows in the history of the world.
Abandoned in a park, the two-year-old girl Asia is found by Patty, a circus woman living with her husband Walter in a trailer park in San Basilio on the outskirts of Rome. With the help of Tairo, a teenager who lives with his grandma in an adjacent container, Patti gives the girl a new home for an uncertain period of time. However, Walter is concerned that they may be accused of kidnapping the girl, and he plans to report Asia's presence to the police. . Patty receives a letter from the mother in which she announces that she will collect the girl two days later. They have a farewell party, but the mother does not show up.
When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.
At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.
Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.
A precedent-setting comedy-drama special in which a salesman (Bob Newhart) and a sexologist (Jill St. John) have misadventures with plot development determined by the votes of the studio audience.
Ten groups of kids from various parts of Finland, aged between 12 and 15, improvise an episode each based on one of the Bible's Ten Commandments.
Two friends resort to playing Rock, Paper, Scissors, flipping a coin, and detailed, yet petty analyzation of their friendship to determine which of them will call the mother of their recently deceased best friend, informing her of his demise.
Ben Schwartz tries to nail an audition. An improvised short film.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.