A historical overview of Sisak, the city on three rivers, from the Roman era to the post-WWII industrialization.

In this follow-up to "Karaoğlan – Altay’dan Gelen Yiğit", Kartal Tibet reprises the role that launched his career. The film is set in Byzantine Constantinople and features Emel Turgut, Engin Inal and Reha Yurdakul.

The film is a journey through time and space on the trail of the unrecognized Social War, the epochal conflict that saw the Italic cities of the Marsi, Samnites and other "peripheral" peoples oppose the overwhelming power of Rome from 91 to 88 BC. . Against its indiscriminate domination, its yoke, its seldom enlightened centralism.

The Colosseum is often depicted as a bloody stadium of gladiators with violence and murder! Is it all in the Colosseum? In fact, the 'Colosseum' in Roman times was a thorough political stage in which the emperor was able to show off the power of the emperor and to meet and communicate directly with the citizens. The emperor was a political space that was not an original one that gained the support of the Roman people and the people were actively exchanging their demands. The fact that even the Roman emperor, who was a symbol of absolute power, did politics through communication with the Roman people would be a valuable lesson for us to live in modern society beyond 2000 years.

Sea battles in the morning and gladiator fights in the afternoon with wild beasts magically appearing in the arena? A subterranean archaeologist investigates tunnels to see how the Colosseum could be flooded; and architects, engineers, and builders construct a lift and trap door system to attempt the release of a wolf into the most famous amphitheater in the world for the first time in 1500 years.

Beneath the turquoise waves of the Bay of Naples lies an extraordinary underwater archeology site, the ancient Roman city of Baiae. From the first century to the third century AD, Baiae was the exclusive playground for the rich and powerful among Rome’s elite. What made Baiae such a special place? What really went on there? And why did it disappear?

An account of the reign of Herod the Great, king of Judea under the rule of the Roman Empire, remembered for having ordered, according to the Gospel of Matthew, the murder of all male infants born in Bethlehem at the time of the birth of Jesus, an unproven event that is not mentioned by Titus Flavius Josephus, the main historian of that period.

Love conquers all – ruthlessly and irresistibly – as Emperor Nero and his mistress Poppea remove the obstacles to their union. At Barcelona’s Gran Teatre del Liceu David Alden’s visually sumptuous production, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern– just as the action juxtaposes scurrilous comedy and stark drama. Monteverdi’s magnificent score, meanwhile, accommodates intrigue, wit, nobility, tragedy and sensuality, and, led by the intense Sarah Connolly and the delectable Miah Persson, the cast brings both drama and music startlingly to life.

During an orgy, Emperor Justinian orders three people to be torched alive.

A journey into the very depths of the belly of the most influential and insidious organization in existence. See, as never before, how the Papacy plays a vital role in current events, and the final fulfillment of Bible prophecy.

Attalus, a war prisoner by Rome, proves his valor in the arena, becomes a gladiator trainer, conquers the women's hearts and the men's envy, and saves Rome from a political plot to a usurper to occupy the throne.

Nero, seated on a throne, has slaves summoned. Each drinks poison and dies, the second even though he can see the corpse of his predecessor.

At the time of Nero, the Empire is at the height of its power, but Rome, where a million inhabitants live, is afraid of its enemies, of foreigners, of barbarians. Rome is afraid of the Tyrant and of its own power. And all these fears seem to crystallize in that of fire, more than anything else feared in this megalopolis that so often catches fire. In 64 A.D. the most terrible fire that the city has ever known broke out. It is said that it was set on the orders of Nero, in order to overwhelm the Christians who were accused of it. The watchmen, Celer and Theseus, intervene at the risk of their lives. This fictional documentary tells the story of the adventures of these two "firemen" in Rome during the Empire. An astonishing journey through time, the story of the life of men: customs, family, lifestyle, politics, education, leisure.

Terry Jones' Barbarians is a 4-part TV documentary series first broadcast on BBC 2 in 2006. It was written and presented by Terry Jones, and it challenges the received Roman and Roman Catholic notion of the barbarian. Professor Barry Cunliffe of the University of Oxford acted as consultant for the series.

Going to the very heart of the Bible's most challenging Book, this one hour documentary decodes the visions of Revelation 12 and 17 for everyone to understand. Journeying from the birth of Christ through the Christian era, this amazing video pulls aside the veil of hidden history to reveal the rise of Babylon, the persecution of the bride of Christ, and the real-world identity of the beast. Educational and inspiring, Revelation delivers the keys to understanding the epic conflict between Christ and Satan and what it means for your life today.

Documentary film, made for TV, about the Roman emperor Hadrian.

Mary Beard is on a mission to uncover the real Julius Caesar, and to challenge public perception, exploring Caesar's surprising legacy.