Ana has just arrived from Colombia and is the maid of a luxurious mansion on the Costa Brava, where a family of wealthy art dealers spends their summers. The young woman works tirelessly and without a contract, under the promise of decent conditions at the end of the summer, if she remains obedient and discreet.
On a warm spring day in 1924, house maid and foundling Jane Fairchild finds herself alone on Mother's Day. Her employers, Mr. and Mrs. Niven, are out and she has the rare chance to spend quality time with her secret lover. Paul is the boy from the manor house nearby, Jane's long-term love despite the fact that he's engaged to be married to another woman, a childhood friend and daughter of his parents' friends. But events that neither can foresee will change the course of Jane's life forever.
Past and present collide when aimless slacker Hannah gets hired to portray Lady Wadsworth -- a Southern belle from the 1800s -- for tours at Wadsworth Manor. Hannah figures she can fake it well enough, until the ghost of Lady Wadsworth appears and tells her it's time to change her wild ways -- or she'll haunt her forever.
Sofia, an insecure young woman, begins babysitting two troublesome siblings that turn her job into a complete living hell. That is until a devilish presence starts messing with the trio and they must band together to fight the demon away.
Verónica, a prostitute who works under the orders of El Cangrejo, tired of her life as a sex worker, runs away with a client who promises to change her life forever.
An aristocrat and his maid have a misunderstanding.
Sang-woo goes home feeling down after being dumped by Hye-ran. At home, he is surprised to see a strange woman doing the chores. Ji-eun introduces herself as the new housekeeper. Sang-woo feels attracted to Ji-eun, who is open-minded and good looking, but is disappointed to see her act as his father's 'partner'. Then one day, Sang-woo's father passes away while having sex with Ji-eun and Sang-woo becomes an orphan...
When a millionaire becomes a widower, he decides to start looking for a woman through the apps on his phone, not knowing that he has to be very careful for that.
Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.
In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.
A war criminal in hiding forms a relationship with his only connection to the outside world - his maid.
A Gujarati housekeeper working in the United States, allows her ambitions to overpower her which leads her to get involved in the world of crime.
Gong-cheol cares for his new wife Eun-mi who cannot walk after a terrible accident. Enter the sexy maid Young-joo who comforts Gong-cheol who is tired of caring for Eun-mi. The two grow closer at home and Eun-mi witnesses it. Young-eun sees that Eun-mi is sad and cold and says something Eun-mi can't quite understand. Then, Eun-mi recalls the shocking past and her accident that had been surpressed in her memory.
A mosaic film of three stories in three different Asian cities where the paths of the rich and poor cross one another in and around taxis. A closeted Beijing cab driver tries to seduce a rich passenger, a Hong Kong pregnant trophy wife starts to develop feelings for her new Indonesian maid and a Jakarta slum orphan becomes infatuated with a Western female backpacker. All three characters desperately want to connect on a basic human level but are their own worst obstacle.
In the early years of the reign of Hassan II, Houcine, a fan of the new king, is the director of a popular orchestra and the proud father of Mimou. This is a very particular troupe, male musicians who are sometimes forced to pretend that they are blind in order to play at parties reserved for women in conservative Moroccan families. But then young Minou runs into Chama, the neighbor’s new maid
A burn-victim maid grows a twisted obsession for a woman whose apartment she cleans.
It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.
Set in the 1950s, this prequel to Keeping Up Appearances looks at the life, relationships, and aspirations of 18-year-old Hyacinth. Long before she becomes Mrs. Bucket (pronounced Bouquet), young Hyacinth is already dreaming of matching china and a bedroom in pastel shades. If only her family were more like the upper-class Cooper-Smiths in whose home Hyacinth works as a maid.
A college student fears for her life after a number of disturbing occurrences, leaving her desperately searching for the culprit. Her suspicions lead to her family house maid, unaware that their connection is much deeper than meets the eye.
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)