가면라이더를 사랑해주신 당신에게. 토키와 소고와 키류 센토의 세계에 이변이 일어났다. 마치 딴사람으로 바뀐거처럼 동료들이 서서히 기억을 잃어가는 것이었다. 거기다 두 사람 앞에 나타난 슈퍼 타임재커 티드. 그는 어나더 덴오와 어나더 W이라는 강력한 부하를 내세워 1명의 소년, 신고를 추적하고 있었다. 신고를 지키려는 싸움속에서 소고는 가면라이더를 좋아하는 청년 아타루와 만난다. 한편, 티드에게 혼자 도전한 센토는 세뇌당해 조종당하고... 강대한 적을 앞에두고 신고를 구하려한 소고 일행이었지만 그러던중 아타루가 어느 고백을 한다. "가면라이더는, 현실의 존재가 아냐" 그는 수수께끼의 이매진 후타로스와 몰래 계약하고 있었다. 그 말의 진의란 대체? 왜, 언제부터 가면라이더는 허구(픽션)의 존재가 되버린걸까? 의문이 깊어지던 중 소고와 센토가 쫓던 티드는 초대 헤이세이 가면라이더 탄생의 땅. 쿠로가오카 유적지에 있었다. 당신의 기억속엔 그들은 살아있을까?
Rare glimpse into the fascinating mind of one of cinema's greatest directors. Footage was gathered over a two year period and documents David Lynch's many creative interests as well as his passion for filmmaking. It’s “abstract trip” which reveals new aspects of the personality and the cinematographic vision of one of the exceptional authors of contemporary cinema. Personal portrait of David Lynch and his creative universe.
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
열정으로 가득 찬 젊은 감독은 실화를 바탕으로 한 범죄영화를 촬영하면서, 잘 알려지지 않은 신비로운 여성을 캐스팅하게 된다. 예기치 못하게, 그는 계속되는 음모와 범죄에 휘말리게 되고, 이 신비로운 여인에게 점점 빠져드는데. (2011년 15회 부천국제판타스틱영화제)
Tozoom site Africa conceals treasures that ignite the imagination of travellers, but also that of all... Who has not dreamed of this magical continent and of living adventures there, Clover tomas when he was well seated in its sometimes somewhat mischievousness, this work envelops you in a very friendly warmth and manages to conquer it.
Martin Haberstich thinks he witnessed a murder. When he finds out what really happened it’s too late. A slightly surrealistic murder mystery about perception and reality. A film that explores new territory, it’s film noir revisited, with an existential touch.
A group of young actors plays a reality show in a theater. Fiction imposes itself cruelly on reality while the characters devour their performers little by little. A labyrinth between the real and fictitious in which only one can remain.
Over the space of a summer, Liam filmed, edited, and released a single shot every day. The outcome? A documentary that blurs the line between fiction and non-fiction.
A man and a woman who run into each other on a film set were actually lovers in the past. As they play the roles of a couple in the movie, they think about the relationship they once had.
After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.