A short film documenting the time the filmmaker spent in Kenya.
A short day in the life of a child living in poverty.
Far West Nepal, where maximum labour migration to Bombay happens, is reeling under the impact of an HIV micro epidemic. This documentary is an in depth look into the brave Nepalese migrants’ life in a social, economic and political context.
Using an embedded Iraqi camera crew, AFI has delivered an unprecedented look at life inside post-war Iraq, all from the unique perspective of a precocious twelve-year-old boy. Doe-eyed and adorable Kheer Allah lives with his mother, father, two brothers and sister. Their "home" has no furniture and no modern appliances, except for an old television and radio sitting precariously atop a stack of used tires. There's no meat on this family's table. Home-baked pita bread is the staple in this beyond-poor household. School is out of the question too. Young Kheer Allah must work every day to help his family survive. This daily struggle forms the heart of this remarkable film. Through the wind-swept and war-ravaged streets of his neighborhood, Kheer Allah parlays his abundant charm into a variety of odd jobs that bring little money, but much satisfaction to his ever-smiling face.
In the mountains of Northern Thailand lies a boarding school. The students come from different tribes in the area and live together with their Thai teacher, grow their own crops and cook their own meals while continuing their education. The biggest question on their mind, having spent all their lives in the mountainside, is where the rivers running down the hills end. If they pass the final exams their reward is a trip to the end of the river, to the ocean itself. The children are poor, some orphans, and most of them only speak their tribe's language, but all try their best to pass the exams to be able to take the long-awaited trip. This trip is not only a journey from the children's villages to the ocean but also a journey that symbolizes the change from childhood to adulthood.
Pulitzer Prize-winning journalists Nicholas Kristof and Sheryl WuDunn explore the causes and costs of addiction, poverty and incarceration plaguing America, from the inner city to small towns like Kristof's hometown of Yamhill, Oregon. While pockets of empathy and aid exist, are they enough to rescue the thousands of Americans in despair, for whom the American Dream of self-reliance is impossibly out of reach?
Lahore, Pakistan. During a whole day, we follow Agha, a little boy who, to survive, collects waste in the street without caring about the world which surrounds him. He makes us share his moods and his vision of the life.
Like Don Quixote, Zivan Pujic Jimmy fights for his annual punk festival. A film about failure, ambition, friendship and clinging to your dreams. Glavonic received much praise for this exceptional film that doesn't reveal what's fact and what's fiction.
DREAMING NICARAGUA is a film about HOPE. It's about love for the dignity and courage of the human spirit that, even immersed in uttermost tragic conditions, fights for a better life, and in this case, with a friendly SMILE. DREAMING is a sensitive and lyrical portrayal of four children living in extreme poverty in Nicaragua. The film takes us beyond their hardships and gives voice to the youngsters, who are surprisingly funny, hopeful, and optimistic. A traveling art teacher provides a safe arena for our four unlikely protagonists to express their innermost thoughts. When painting, the kids momentarily escape the stresses of their reality into a world of dreams and ideas, a stark contrast to their lives outside: a vicious cycle of hunger, child labor, and violence. Despite the extreme circumstances, the children and their families face their lives with an inspiring unity, strength and humor.
This film was shot in Cuba in 1994. The opportunity came when Russel Porter, an Australian documentary filmmaker, was invited to teach at the international film and television school (EICTV) located some forty kilometers from Havana. He took the opportunity to make a film about life in Cuba today. He examines how people are surviving the hardships caused initially by the "blockade" imposed by the USA over 30 years ago and increased by the more recent loss of trade with the countries of Eastern Europe. The goal was to faithfully and objectively portray the current atmosphere and character of this "little island in the Caribbean." Apart from Russel and producer Denise Patience, the film crew was Cuban: cinematographer Alejandro Perez, sound recordist Lenin de los Reyes, production manager Elaine Santos, and local liaison Alex Alday.
Benok, robbed off his childhood, had to work due to poverty. While his mother spends time on gambling. In his eyes, the world has changed where children work and adults play. Benok finds his way to experience how to become a real kid again.
Funny story of an unemployed metalworker, self-proclaimed Marxist, his views and whereabouts.
Award-winning documentary maker Bryan Bruce investigates New Zealand's housing crisis and what might be done to solve it.
Bruce consults with recognised world experts (in Canada, Ireland and Germany) to discuss their global research – this time on foreign capital and housing affordability and the effect of immigration on house prices.
Bruce also looks at some of the many possible solutions (available particularly in Germany) that would provide families with stability of tenure that don’t involve private ownership.
Tony, Pol and Baby are three friends that get together to search a solution to their project for the future, at a standstill. They criticize constantly the system and the other people's precariousness, without realizing that they share the same feeling of poverty.
Borinage left Henri Storck profoundly disturbed by injustice and social poverty. When he was offered a chance to make the film he undertook an in-depth survey into the working class and slums and shouldered his camera as a militant filmmaker. In a plot of Walloon slums he staged characters and situations as examples. All shots work on intensity, the filling of the frame, which gives the impression of being unable to breathe, of being trapped, closed in. And in the face of this overflowing misery is the emptiness of the expressions, the absence of emotion. Survival is all. But the message of hope is there, with the destruction of slums (the hovels are demolished as if getting rid of a tyrant) and the construction of garden cities surrounded by trees in bloom and a future of song, leaves one with the impression that man’s dignity has been safeguarded.
Can there be a bleaker portrait of a life half-lived? Cinematic treatment of poet R.S. Thomas's story of Twm, the "shy soul" who lives and dies alone in the "grim house nailed to the mountainside", oblivious to the interest shown in him by young girls in the village and to his own isolation as he scratches a living from the farm.
Short documentary about the marginalized youth in Canyelles, Barcelona.
Documentary presenting the theory and application of the Theology of Liberation via interviews to priests from humble parishes in the slums of Lima. A fruitful labor of a Catholic Church sector committed to address social issues.