The first in depth analysis of the unspoken ethnic component behind the most devastating socio-economic movement in America today.
Black people face a lot of problems, but the root cause of those issues is our lack of businesses. 7 A.M. is the first documentary ever that talks to leading scholars, academics, and businessmen exploring in depth why racism isn’t a social issue but an economic one. Since the 1960’s we’ve focused on education and politics, however, the solution isn’t building more schools or government positions… The solution is building more businesses.
Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
To mark his 21st anniversary in broadcasting, the commentator Darcus Howe picks up on his chosen topic for another piece of work; racism. However, when Howe came to England "racism" was something that all ethnic groups faced from white people and it bonded the community together. Now Howe travels to the Midlands and several other areas of England to find that racism is rife within the ethnic community. He interviews those within the West Indian, Indian, Pakistani and Somalis communities to find that they are split with hatred and racism views of one another bringing the communities to the boil.
Examines Pulaski, Tennessee, the town where the Ku Klux Klan was founded right after the Civil War, and where today its memory still runs very deep. Combining interviews with local residents, attendees at a Klan rally and counter demonstrators; historical photos; contemporary footage; scenes of a museum exhibit of the last-known original Klan robe; and a cross burning ceremony by the Klan; the video reveals Pulaski's historical and ongoing relationship to this controversial organization. We learn how Pulaski's citizens remember and reconcile the history of the Klan, how they continue to be divided about the organization's meaning and role, and how such history remains contested for Americans.
The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.
How do white South Africans deal with their fears of crime and violence? Like crocodiles, some survive without evolving, living with their fears. Others make fear their friend and evolve in ways you'd never imagine.
When a state phantomizes a population, another reality. When history distorts the truth. When my (her)story meets another (her)story. When women disappear without a trace. When, white and privileged, I attend a rehearsal of stories. When violence done to women’s bodies equals the violence done by words. The bodies of those we don’t want to see or hear. From my studio window, I look out and my life intersects with theirs. In Winnipeg there are those who Win, generally the whites. There are the nips, the name given to Asian immigrants (the Latinos included in the insult) And everyone walks on EGG shells.
Short film about racism.
Lillian Smith: Breaking the Silence is a 50-minute documentary about the life and work of Georgia writer and activist Lillian Smith (1887 – 1966). This documentary explores her legacy and the life journey that led to her awakening, from her childhood experiences in a small southern town, to her years of living abroad in China, to directing a girls' summer camp in North Carolina. By the time she published a bestselling novel in 1944, her moral compass was finely tuned to the changes needed in the southern U.S., and she spent the next two decades confronting the ugly institution of segregation, saying that it harmed whites as much as blacks. In the decade before her death she wrote about the need for freedom and respect for everyone everywhere.
The film can be described as an Alice in Wonderland- inspired saga. In the film we meet Josef, a young Afro-Swede in high school who, during a lesson, ends up in a dream world where he travels in time and meets people who contributed to the perception of racism in Sweden. The film addresses the consequences of his journey when racist classmates decide to take revenge as his new-found knowledge is seen a betrayal of the Sweden they know. The film also depicts how ethnic Swedes have been subjected to racism as well as how people in Sweden have worked against racism. The film is unique in addressing the less known parts of Swedish history. The main purpose is to demonstrate that it is possible to stop hate crimes through increased knowledge and that it is up to the individual to stand up for what is right.
A black, female, apprentice carpenter faces discrimination and must choose between taking a stand or keeping her job.
Filmmaker Malini Schueller examines police brutality against minorities and the dangers of overmilitarized campuses.
A look at the rise of racism in modern football