To conquer his beautiful mother without insospettirne, Polidor dresses for women and can thus safely visit the house, but was immediately made the subject of attention of the father of the girl, unrepentant libertine. And when you discover the trick, barrel on Polidor, but also on the elderly Don Giovanni, by the jealous wife.
The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…
A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.
Based on the stage musical of the same name, this is the tale of a princess who grew up loving fairy tales and finds herself thrust into one where she encounters numerous obstacles, enemies, and allies in his quest to be reunited with her true love.
When Patouillard meets another woman at a street cafe, his jealous wife dresses up as a man in a suit and beard to spy on him.
A young woman must pretend to be a man to visit her grandfather, and gets into some romantic scrapes in the process.
Billy and His Pal, released on February 16, 1911, is about a cowboy, Jim (Francis Ford), who is idolised by young Billy (actress Edith Storey in drag). When Jim runs afoul of a gang of Mexican thieves, it’s up to Billy to rescue his hero. Billy and His Pal is short on plot but long on local atmosphere with the director (probably William Haddock) and cameraman William “Daddy” Paley making the most of the starkly beautiful Texas countryside.
This film evolves around a mother and a son and their day on May 17, 2013. The story starts in the morning when a woman discovers her son wearing her red dress. The film is dedicated to the theme of homophobia and is closely related to May 17, 2013, the International Day Against Homophobia and Transphobia.
The lives of both a train conductor and a cross dresser become mixed within one another.
Lillian dresses as a man to gain access to a boy's school. (from Performing Queer Female Identity on Screen: A Critical Analysis of Five Recent Films)
Robinet disguises himself as a woman to get away from his girlfriend’s husband, and discovers the unexpected pleasures of public drag amidst mobs of flirtatious men. (MoMA)
Parental fears reach an early boil when five-year-old Saúl announces that he wants to dress up as a little Siren for the school's fancy dress party.
The comedy film between Caribbean, Atlantic, and the Mediterranean! A funny and bizarre comedy experience on board of the dream ship MS Melody with six chaotic Franconians – delightfully comically between pure nonsense and sparkling wit. Plus, dreamlike pictures from the Caribbean, the Atlantic, and the Mediterranean Sea! Heißmann and Rassau in triplicate: As the Franconian couple Annelise and Georg Kaltengruber, as the two widows Mariechen and Waltraud, and of course as the goofball duo Hepp and Depp. And what all happens when a small bunch of Franconians embarks on a snow-white cruise ship is at times completely ludicrous.
Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.
This epic version of the Mulan tale was an early epic, shot on location in Northern China using hundreds of extras. It is the story of Hua Mulan, a young woman who takes her fathers place in the army as he is unwell. She gains glory but must eventually deal with her deception.
Fadik is a street singer working with her three musician friends. They are homeless. As she sleeps on a deck of a boat, Erol finds her. He is the boat's owner yet she believes he is its captain. She runs into a gang and their bags get exchanged, she finds a fortune in her bag now. The money belongs to Erol, his friend Faruk robbed his factory. Fadik takes Erol as her servant, she doesn't know he is rich. Faruk's men kidnap the three musicians, Erol and Fadik meet, the police catches Faruk though he puts the blame on Fadik. In the trial the truth is revealed. In the end, Erol and Fadik start a happy new life so do the three musicians.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
A girl joins the army instead of her brother, who has been injured in a car accident and cannot join the army in time. She is then disguised as a male conscript to save the brother from troubles.
Loulou is 13 years old. He returns from his training and finds the house empty. He enters his parents’ bedroom and opens his mother’s cupboards...