Dado is loving and responsible husband. He also told stories to his loyal customers, Alas and Pablo the secret of his strong relationship with Isay and how to treat women correctly. Eventually, the origin of the saying "Kwentong Barbero" will unfold as Dado shares his love conquest tales.
Alberto Luis Galateo was an Argentinian soccer star of the 1930s. But at home, he was abusive towards his family. One Sunday afternoon, three shots stirred up his quiet neighborhood.
A son struggles with his father’s violent tendencies while his late mother attempts to help him.
A foreboding glimpse into the life of a girl under pressure from her parents concerning her eating behavior and childish tastes. Ignoring the family festivities, her parents ditch her for a day, leaving her in the care of a neighbor. The girl will regress to the events that have hurt her. "Rabbits have been a symbol of childhood ever since Lewis Carroll's portray of a certain elusive character, but it is in the interpretation of each psyche that it takes a more perpetual shape. In my analysis of its symbolism, the rabbit expresses a female childhood at an age close to puberty, along with the desire to leave the bonds; perhaps a virginal consciousness that remains in the symbol of rabbits to this very day." Laura Maria Isabel Ruiz Ocadiz.
"Scars," is a short film that explores the horror of domestic abuse. The story follows James through a nightmarish experience of his past relationship with his girlfriend, Camila. He's unconsciously guided around his house by a mysterious presence that forces him to observe his cruel treatment towards her.
Three sisters are afforded the opportunity for rediscovery through their grief after losing their father.
To escape a marriage arranged by her extremely religious father, a young girl seizes the chance to run away and save more than herself.
Behind the closed doors of the Copenhagen-based women's shelter, the women and children are slowly recovering after having escaped domestic violence. Day by day the women are processing their traumas, building confidence and slowly understanding what it takes to break the cycle of violence.
This documentary is a sad sight of the reality of child abuse victims who now live in public shelters in Brazil, with stories told by themselves. Children and adolescents who are now in shelters were victims of violence. Most were the victim of the own family and others never knew theirs. The years are passing and the childhood and adolescence of them also ...
Bruises Behind Closed Doors takes its audience into the life of Herbert, an abusive husband who has been secretly in with another woman throws his wife, Angel's life completely upside down.
Valerie faces the challenge of leaving an abusive relationship with the help of her two friends.
Idris, who has made a habit of coming home late, comes home early that day. He sees his wife trying to wipe the lipstick off of her lips, and at the same time, the window of the house is open in a cloudy sky. The feeling of doubt has already begun to gnaw through Idris like a bed bug.
A woman must safe herself and escape from a bizarre black room where she waltz with her biggest fear and trauma. A Choreography of Violence is a short experimental film that tells a story about love gone wrong, domestic violence, and freedom. The story is told through contemporary dance, with no dialogue, for the entirety of the film.
Provides unique access inside Simpson's civil trial and his rare deposition tapes. Fred Goldman and members of the civil trial legal team, including Daniel Petrocelli, are interviewed exclusively for the special.
Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.