《玉子》是一部於2017年韓國和美國合拍的動作冒險片，由奉俊昊執導並和強·朗森共同編劇。電影由韓國童星安瑞賢、英國演員蒂妲·絲雲頓、美國演員保羅·迪諾和傑克·葛倫霍主演。 《玉子》於2017年5月的第70屆坎城影展上的「正式競賽」單元參選金棕櫚獎。後於2017年6月28日在Netflix上發行。
Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie's friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.
A group of five young friends face a nightmare of torment at the hands of a depraved Texas clan.
跨年夜，在煙火的掩護下，巴爾的摩市中心一棟高樓裡的人們遭到無差別狙擊，不久，鄰近大樓射出子彈的房間又發生爆炸。這起案件死傷慘重，兇手卻沒有留下太多線索，讓警方陷入困境。參與此案調查的年輕女警艾莉諾（雪琳伍德利 飾）正飽受心理創傷折磨，卻讓她意外能夠理解兇手的想法。為了解決這起案件，FBI資深探員傑佛瑞（班曼德森 飾）決定與艾莉諾合作……。
After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.
A biopic of Temple Grandin, an autistic woman who has become one of top scientists in humane livestock handling.
In the late 1970s, Cockney crime boss Harold Shand, a gangster trying to become a legitimate property mogul, has big plans to get the American Mafia to bankroll his transformation of a derelict area of London into the possible venue for a future Olympic Games. However, a series of bombings targets his empire on the very weekend the Americans are in town. Shand is convinced there is a traitor in his organization, and sets out to eliminate the rat in typically ruthless fashion.
A group of ruthless Chicago mob enforcers are sent to Kansas City to settle things with the owner of a slaughterhouse who has taken money that is not his to keep.
Faced with the town lawyer, the sheriff, and a rival slaughterhouse owner trying to purchase his land, Lester Bacon decides to take matters into his own hands, ordering his hulking and mentally deranged son to permanently dispose of anyone who conspires against them.
Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.
《肉與靈》劇本由伊爾蒂科親自撰寫，講述了一個超現實的愛情故事。左手殘疾的安德在一家屠宰場擔任財務總監，平日裡處理些工作瑣事，身邊幾乎沒有朋友。安德並不願改變這種一個人吃飯一個人居住的生活，直到屠宰場新來的質檢員瑪麗亞出現。瑪麗亞是個性情更為孤僻的姑娘，不僅有人際交流障礙，還有強迫症，然而這並不能阻礙安德對這個擁有淺金色頭髮姑娘的關注。很快我們發現，安德和瑪麗亞之間有一種隱秘的聯繫——他們每一晚，都做著同樣的夢。伊爾蒂科用兩個獨特的角色，混合夢境，靈魂和肉體的想像，融合成一個奇妙的故事，一對有人格障礙的男女經通過夢境這樣玄妙的方式，在身體找到對方之前，靈魂已然相識。一對相識相吸引的靈魂，在現實生活中怎樣克服種種障礙，讓肉體接近？這樣一個反向思維的角度非常有趣。它打破荷爾蒙理論和一見鍾情的老梗，演繹出一個怪誕，溫柔又殘酷的愛情故事。
在法斯賓達所有作品中，《一年十三個月亮》可說是最富個人傳奇色彩的一部，不僅是因為本片的拍攝，出自於法斯賓達為了紀念已分手愛人的自殺，片中對於性別、變性、身份的多重辯證，以及對身體的自卑與自虐、對性慾的耽溺與索求、對愛情的渴望與殘酷，也都反覆呼應了他自己聲名狼藉的複雜生命，八卦之外，有著更多耐人尋味的思索。故事從法蘭克福市的清晨開始，也為主人翁艾維拉最後的生命揭開序幕。曾擁有男性身軀的她，現在是個名叫艾維拉的女子，但身體的改變並不能保證幸福的未來，同居男友的離棄、前妻的拒絕、舊情人的冷漠背叛，不管是男是女、是他或她，似乎都無法獲得任何希望，於是他/她轉身，擁抱溫暖的死亡。《一年十三個月亮》以極為冷冽寫實的影像，仔細鋪排艾維拉的生活細節，從早到晚、從城市的這頭、到屋室的那端，他的絕望像是被排拒在世界之外的漂浮孤島，永遠孑然。法斯賓達在片中營造了強大的現實與孤獨感，彷彿用一把電影的手術刀，冷靜地劃開了劇中人與法斯賓達自己的心，殘酷銳利地切割屠宰著世人所謂的愛情理想，片中一幕屠宰場的場景，艾維拉在冰冷空曠的流理台之中幽怨地自白，平行對映著屠夫切剖肉塊，鮮血淋漓的究竟是肉塊，還是盲目追求愛情的人們？
A young woman looks to escape her abusive life by moving to her family's farm near Atlanta. Unfortunately, she learns her place of supposed comfort offers more terrifying forms of abuse.
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
A documentary by two desperate young filmmakers who stumble upon the ultimate subject, a 33 year old cannibalistic serial killer named Anthony McAllister
After he loses his job, his father, and his girlfriend, Jan's life is a shambles. Then suddenly he meets freakish street musician Vera, and a bittersweet romance unfolds...
An African-American man working at a slaughterhouse in the Watts area of Los Angeles leads a dissatisfied and listless existence.
An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.
Daniel is a hitchhiker who arrives at a slaughterhouse for some temporary work, the owner of the slaughterhouse Gunnar decides to kill Daniel when he realises he is having an affair with his wife.