This animated short film portrays a man's commute into the city. Director Michael Patterson employs a combination of pencils and rotoscoping, similar to his work in the music video "Take On Me."
Meet 5000 space aliens in 5000 seconds in this bonkers animated film.
During a very hot summer, Emma (15) is doomed to boredom at her grandparents's house. She's dying for something to happen. At the edge of a pond, she hides to observe The Young Man. She develops a brief but intense obsession for this fantasized stranger.
When you feel it, get it started / Even if you don’t, just somehow get it started / Whatever it may be, however it may be but / Anyhow let's just get it started.
Max Fleischer draws a clown, who comes alive on the page. The clown doesn't like the way he is drawn and demonstrates his own artistic abilities.
Max is too rushed to do a thorough job of drawing Koko this morning. Max is going fishing. However, to amuse the clown, he draws a fishing pole and a pond before he goes.
Inspired by Rachel Moseley-Wood’s essay “The Other Jamaica”, Damian Marley’s controversial song “Welcome to Jamrock”, and juxtaposed views of Jamaica via tourism and marginalized Jamaicans. This short animation uses found film of Jamaica in the 1930s-60s to manipulate the camera’s ethnographic points of view.
A man walks around his empty home for the last time before his departure. Rooms come to life with memories of his past while he prepares to leave.
Synchronize is a tribute to the powerful effect movies can have on our imagination. This short film takes the viewer through the dream of a video store clerk whose vision is formed by the movies he sees and hears.
Max Fleischer draws Koko and a haunted house, while his colleague and the janitor mess around with a Ouija board. When Max goes over to take a look, Koko is haunted by ghosts and inanimate objects, and escapes into the real-world studio.
In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.
A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
A child is watching a music video on his television screen.
Max and Koko The Clown bet who can blow the biggest soap bubble.
Directed by Dave Fleischer.