Buck Allen, The Cheyenne Kid, has been accused of holding up the payroll car of the Cody Dam Construction Company, and is being pursued by U.S. Marshal Utah Kane and Sheriff Hank Bates but they lose him.
Sam is a parolee who has paid for his dirty deeds. Now determined to go straight and help take care of his hot headed brother and devoted sister, he becomes set upon by both the law, represented by Federal Marshall Rocky Lane, and by his former outlaw buddies led by the notorious William Oakes.
Dan Stanton and Condon are foreclosing on a group of ranchers in order to gain a land-monopoly. They have one of the ranchers, whose property supplies the others with water, killed. Ann Jennings, niece of the rancher, sends for U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins, who organize the ranchers who take over the dead man's property and blast the dam releasing needed water to all the ranchers. Nevada and Sandy, aided by the sheriff, round up Stanton, Condon and their gang members.
Prince the wonder horse and his gallant rider gallop off to protect hapless ranchers from the ruthless Nazi bad guys who are trying to steal their land so they can exploit the valuable tungsten deposits in this WW II western. Mayhem ensues, but soon the villains are vanquished and America's tungsten deposits are safe once more.
When a girl goes to get an IUD implanted by a distant relative, he commits a deranged act which has deadly implications for those close to her.
Range Law stars Johnny Mack Brown as "Nevada" and Raymond Hatton as "Sandy", the same characters they played in most of their mid-1940s Monogram westerns. This time, Nevada and Sandy, US marshals both, set out to collar some renegades who've been driving out the local ranchers. It's just possible that one of said ranchers is behind this land-grabbing scheme.
A marshal searches for stagecoach robbers.
Johnny Carpenter plays a taciturn sheriff who disguises himself as a notorious gunslinger. His mission: to stem a series of violent raids on local cattle ranchers.
With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.
Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.
Taggart and his men are breaking wanted outlaws out of jail and then killing them for the reward money. Marshal's Whip, Jim, and Texas have a plan to trap the gang. Whip poses as a wanted outlaw while Jim joins Taggart's gang and helps break him out. But there is trouble when gang member Mike, wanting a bigger cut, double-crosses everyone.
The Range Busters are investigating a gold robbery from the Denver Mint in a supposedly deserted ghost town, but they soon find they're not the only town resident with a nose for gold.
This one finds Jack Slade and Mary Conway,alias Blanche, being recognized as known and wanted crooks by deputy marshal Harry Stevens and, when he orders them out of town, Slade kills him. His son, Bob Stevens and friend Parkford become U.S. Marshals and proceed to rid the town of the cut-throat gang that has been terrorizing the citizens. Bob goes undercover as an outlaw and works his way into the gang, while Hoot poses as a Dude who goes about making fiery speeches on behalf of law and order.
Taylor's men are robbing incoming supply wagons to enable Taylor to sell goods at inflated prices. The Vigilantes led by Frank Jackson are doing the same so the ranchers won't starve. Marshals Lash and Fuzzy arrive to try and find the real culprits.
Brown's principal antagonist this time is the town boss, an outlaw who has killed the community's leading citizen. The dead man's grown children want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge nor is his sidekick.
Having sent Deuce Rago to prison in Frontier Revenge (1948), Lash finds he's out and his outlaw gang are at it again. This time he has the Lawyer Leonard and Joan to help him out and Lash and Fuzzy must bring him in once more.
US marshal Lawlor (Starrett) takes on a gang of cattle rustlers headed by Taylor (Dick Curtis). His reasons are partly personal: Conway (Edward LeSaint), the cattle-baron father of Lawlor's sweetheart Madge (Meredith), has been murdered by Taylor's minions.
The first of a long-running series of Monogram-produced westerns starring Johnny Mack Brown and Raymond Hatton that replaced the Rough Riders series following the death of Buck Jones in the Boston night club fire. Though the next three years featured Brown (as Nevada Jack McKenzie) and Hatton (in his Sandy Hopkins role from the Rough Riders series) as undercover marshals in some form or another, this initial entry had Brown as a lone rider seeking vengeance and he and Hatton's characters were unknown to each other through most of the film. Hopkins offer McKenzie a marshal's job at the end of the film, which the Brown character declined and rode off alone on his quest. This quest didn't take long as by the next film in the series Nevada Jack McKenzie was a full-fledged U. S. Marshal.
Carl Beldon has disappeared and the Trail Blazers have been sent to investigate. Arriving in town, they find that 'Honest John' controls everything. He even prints his own money. He also has a gang and they set out to finish off the heroes.
Bart Morgan controls the town of Cactus City and is keeping all men away from Jane Rankin. When Johnny Day arrives and takes an interest in Jane, Morgan tries to kick him out. Johnny refuses to go and the stage is set for a showdown.