Jan Hus is a 1954 Czechoslovak film directed by Otakar Vávra. It is the first part of the "Hussite Revolutionary Trilogy", one of the most famous works of the Czechoslovak director, completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957).

After the battle of Sudoměř the Hussite teaching spreads through the whole country and people start leaving their homes to help build the fortification of Tábor. Prague citizens request help against the army of Zikmund. The Hussite army with Jan Žižka in the lead make their way towards Prague. They fortify themselves on the mountain Vítkov and engage in a bloody battle with Zikmund’s huge army.

Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.

Conditions have been better for the nameless protagonist: his grandmother is a shoplifter and his war criminal father and sister have an unhealthy, intimate relationship with the family rabbit.

A painter lives with his wife and four children in a studio. Due to creative frustrations and the irritation of admirers and hangers-on he becomes increasingly reclusive, finally sealing himself away in the attic. Based on an Albert Camus story.

Video collage distributed by the label Come Organisation. I - IV.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

A patient in a psychiatric ward believes he lives in the belly of a whale, where he's transported himself to escape from the vulgarity and haste of the modern world.

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

The main character is an intellectual from Russia, who sees it as his duty to bring an idiot from an mental institution to his house. He can pick someone out, after bribing the boss of the institution, with two bottles of vodka. He chooses Vova, at first sight a silly man, and takes him home. His wife is at first not very happy with this choice. Vova says and does nothing at all. Then he becomes an aggressive man, who terrorises the house and bashes everything to pieces. After she is raped by Vova, the wife gets sexually dependant on the Idiot. Vova isn't interested anymore, when she gets pregnant and doesn't keep the baby. The idiot goes now to the intellectual for his sexual needs. The wife can't take this anymore and forces her man to take a choice: Vova out, or she will go.

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

An elderly female psychiatrist in New York finds a female giant monster under her bed, becomes obsessed and exposes it to various scientific investigations.

The protagonist feels dead in waking life and alive in dreams.

Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.

Two Russian prisoners are abused mentally and physically.

This meta student film illustrates the trials and tribulations of being a film student.

A homeless woman, improbably well-groomed and (as seen naked to the waist as she changes from one shabby sweater to another) well-toned, spends from dawn till night pushing her cart around a seaside California city. Flashbacks show that she was once an exotic dancer and illustrate the point that, under the over-sized and dirty clothing that makes her "invisible", she is still the same attractive woman.

Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...