Po tragiško Juodojo Penktadienio, kuomet vietiniame prekybos centre buvo mirtinai sutrypti keli žmonės, ramų Masačiusetso valstijos Plimuto miestelį apima dar didesnis siaubas: Padėkos dieną vietos gyventojus vieną po kito ima žudyti paslaptingas anonimas, kuriam greitai suteikiamas „Džono Karverio“ vardas. Miestelio šerifui (aktorius Patrickas Dempsey‘is) pamažu aiškėja, kad žmogžudystės nėra atsitiktinės, o nusikaltimų gijos veda atgal į tragišką Juodąjį Penktadienį bei tuos laikus, kuomet būtent šiame miestelyje ir buvo pradėta Padėkos dienos tradicija.
Filmo siužetas žiūrovą nukels į spalvingą pasaulį, kuriame iš plastiko sukurta aplinka keičiasi vos vienu mygtuko paspaudimu. Tedas, iki ausų rusvaplaukę Odrę įsimylėjęs paauglys, tarsi riteris dėl mylimosios pasiryžęs žygdarbiams. Vos vienas merginos noras – pamatyti paskutinį gyvą medį žemėje, ir Tedas leidžiasi į nuotykių kupiną kelionę, kurios metu patenka į neįtikėtiną apelsino spalvos padaro, medžių užkalbėtojo, vardu Loraksas, pasaulį. Mielas ūsuotas bambeklis, apdovanotas magiškomis galiomis, bando išsaugoti natūralią gamtą ir savo aplinką, kuriai grėsmę kelia nesusipratėlis medkirtys Aloyzius O’Haris.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Film from Andrew Morgan. The True Cost is a documentary film exploring the impact of fashion on people and the planet.
Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?
A documentary following an Estonian fashion designer Reet Aus on a global tour to explore the origin process and the environmental footprints of today's fast paced fashion industry. On the road the mission takes an unexpected turn towards trying to introduce her "upcycling" inspired product line to some of the major fashion retailers to increase awareness of the massive resource waste built into the current product lifecycle.
An actor who is considering the role of a supermarket manager arrives at a grocery store on the outskirts of Los Angeles to do some field research. He subsequently becomes stranded, without a car or cell phone, and accepts a ride home with Scarlet, a cashier who is about to interview for a new job. The actor rediscovers the essence of his craft while helping Scarlet gain the confidence she needs to change her life.
A business man buys a house, but he has a hard time trying to get rid of its previous tenant, a dirty bum.
Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.
Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. Underscoring the ever-increasing gap between the haves and the have-nots, portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
An animated short film looking at man's relationship with the natural world.
Sammy is a 14 year old girl who makes YouTube videos. Robby just moved to New York City after college. Jerry is a single 34 year old network administrator living in the suburbs. Through their fragmented experiences, Consumers explores the dialectical problematics of the contemporary experience.
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Once upon a time... consumer goods were built to last. Then, in the 1920’s, a group of businessmen realized that the longer their product lasted, the less money they made, thus Planned Obsolescence was born, and manufacturers have been engineering products to fail ever since. Combining investigative research and rare archive footage with analysis by those working on ways to save both the economy and the environment, this documentary charts the creation of ‘engineering to fail’, its rise to prominence and its recent fall from grace.
A symphonic journey into our obsessive consumption. The many objects we accumulate begin their production journey in silent secluded industrial site where borderline men work in isolation without any interference. These men trigger, unconsciously, the long chain of creation, transport, commercialization and destruction of the objects feeding our bulimic lifestyle.