Following the passing of his father, Aaron Hammond returns to his hometown to help his devastated mother and to confront his past demons. Sifting through his father’s belongings, Aaron comes upon a mysterious item that is far more than it seems.
A young, nonconforming woman named Tessa gets entangled in a cat-and-mouse chase in the by-lanes of Kerala, hunting for a mysterious artist who previously lived in her apartment.
Balachandran avoids interaction with women, preferring to seek time alone due to a traumatic past with his mother. Everything changes when he meets the beautiful Alagini, who changes him into a jovial and loving person. However, wedded bliss doesn't last when a tricky supernatural entity enters Balachandran's life.
A Jinn's magic helps a poor architect win a professor's daughter. This film is considered lost.
Yeliz starts to see nightmares on the night of her 25th birthday.
She sees bloody and dirty hidden secrets about her family.
As she tries to escape from these nightmares she is approached by an old family friend who wants to help her.
But the enemy is not from this world.
Together they face the world of jinns beyond the understanding of regular minds. Behold the zone of the jinn.
Our main character Serkan is a vlogger. While he was doing a YouTube video where he was answering fan questions, a fan named Halit asked strange questions, daring Serkan to go to a house that was haunted by a jinn. Serkan, with his girlfriend by his side accept the challenge and head to the haunted house.
In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)