Filmen bygger på den sande historie om den amerikanske computerspilssælger Henk Rogers og hans opdagelse af Tetris i 1988. Da han sætter sig for at udbrede spillet i verden, fanges han i et farligt spind af løgne og korruption bag Jerntæppet.
Dokumentarfilm om 3 nørder, der redefinerede mediedistributions-verdenen med deres hobby-hjemmeside, "The Pirate Bay". Hvordan lykkedes det for Tiamo, en øl-gal hardware fanatiker, Brokep, en træ-krammende øko-aktivist og Anakata, en paranoid super liberal hacker at få Det Hvide Hus i Washington til at true den svenske regering med handelsrestriktioner? Denne film undersøger, hvad Hollywoods mest hadede pirater går igennem på det personlige plan i kampen mellem den gamle og den nye verden i cyberspace.
A young and successful copywriter Alan Despot, after trying in vain to renew a broken relationship with his girlfriend, goes to the island of Vis and finds himself torn between his eccentric father, another ex-girlfriend and her fiancé. New situations and circumstances help Alan to view his own life from a new perspective.
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.
Directors Twila Raftu and Shaun Cronin explore the controversial issue of free data exchange and the growing impact of copyright legislation, intellectual property laws and digital rights management from the viewpoint of those dedicated to the unregulated flow of creative products and information. Advocates of "free culture," including Xbox hacker Andrew "Bunnie" Huang and underground rapper Adam "Doseone" Drucker, offer opinions and commentary.
Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.
Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.
As the novel 『LimGeojeong』 becomes a great success, the publisher and the writer's bereaved family in North Korea meet to solve the copyright problem. Their exchanges between South and North Korea create another novel-like story that condenses issues in various fields including politics, economy, and culture together with concerns and hospitality.
A documentary about the Swedish organisation Copyswede and the work they claim to be behind. If you bought a USB drive, hard drive, DVD, CD, computer, iPhone or another device that can be used in private copying, you are directly affected, whether you like it or not. This documentary will investigate and discuss the organisation Copyswede and see how it affect, improves or directly work against the copyright laws, electronics industry, wholesalers and retailers, not to forget the consumer and the creatives.
“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.
Star Wars fans, party clowns, scientists, a Rolling Stones tribute band, a private detective, teachers, artists, DJ's, magazine editors, top legal scholars, FBI agents, corporate litigators and many more tell an "extraordinary" tale about how ownership of ideas has come into conflict with free expression. "Willful Infringement", which premiered 2003 at the San Francisco Museum of Modern Art, has been acclaimed as an entertaining, surprising and sometime shocking report from the front lines of intellectual property. This movie has screened at the Andy Warhol Museum in Pittsburgh, the Seattle Art Museum, the Franklin Institute of Science in Philadelphia, at the 17th Leeds International Film Festival, and at numerous universities, law schools and cultural events.