In January of 2016, a dozen members of the Memphis transgender community began meeting for a weekly story circle facilitated by Elaine Blanchard. The program, based on the format of her award winning Prison Stories series, was a time for sharing, healing and enlightenment. Thanks to the generosity of The California Institute for the Contemporary Arts, filmmaker Shelby Fuller Elwood documented their journey. All people have a story to tell, and all people long to be heard, respected and valued for who they are, and what they have experienced in life.
The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.
A man denigrates every conceivable group, including “niggers”, whites, women, children and the elderly.
A story about racism, discrimination, and prejudice: in a dystopic future governed by only women, there is a fight between blondies and brunettes. In this society, the blondies are discriminated against because of the color of their hair.
Did you ever realise some people that would not sit next to them in a bus, or talk them. We eve hesitate to have a loot at this people but stare secretly. Sometimes those people against whom we have a lot of prejudices, are a part of our society, we just don't realise that, until we face some circumstances and really look into those people...
Interview-based documentary about the conditions for gays and lesbians in Danish society.
Two very different people in the London borough of Lambeth - a drag queen (Michael Twaits) and a woman in a burka. Only in a lift would they ever cross each another's path. But these two have more in common than they first thought.
A young horse says hi to little donkey Spunky. But the horse's mother pulls him away, saying we don't associate with that kind. Spunky makes a few more overtures, and eventually they set off on a chase, running across a bull from time to time. The horse stops to eat a lot of apples and drink far too much water; this leaves him too bloated to move much at all. The two continue to anger the bull, which gives chase; Spunky saves the colt, and they all live in harmony.
The dwarf Jacob has a hard time finding true love. He therefore spies on his neighbor, the prostitute Laila.
A prejudice that leads to the loss of an innocent life.
During 2018's presidential election in Brazil, a young woman expects her mother for dinner. But a homophobic social media post makes her rethink this mother-daughter relationship.
Thoughtful documentary exploring the shocking court decision to grant custody to a child’s father, a convicted murderer, rather than her lesbian mother.
This short animation set to Lenny Bruce's live monologue tells how the Lone Ranger hooks up with Tonto. With Bruce doing all the voices, this animation begins with local folks upset at the Lone Ranger because he won't stay around to be thanked after a good deed. So, he stays and finds he likes hearing "Thank you mask man." When their attention starts to shift elsewhere, he shocks and disgusts the townspeople with a final request. According to the cartoon’s producer John Magnuson, at early showings of this, gay audiences were upset by its apparent “fag-bashing”. And it’s true, part of the fun of the piece is just crying out “Masked man’s a fag”, scandalising and defacing the image of this all-American hero. But it’s within the larger context of Bruce’s analysis of heroism, and that the towns people reject the Masked Man is because of their prejudices, not because Bruce is asking us to endorse them. (from: http://ukjarry.blogspot.de/2010/01/352-lenny-bruce-thank-you-mask-man.html)
An urban fantasy short of a meek man, his new demonic girlfriend and his vigilante angelic best friend.
Two older German men are headed for Southern Norway in their Trabant in 1990. They're going back to "old haunts", to a beach they left in the days of May 1945. They have one goal for the trip, to find something they once dug down.
Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?
The prejudiced Christian, Chrissander, has traveled far on a pilgrimage, but what will he do when he finds out that the people he is resting with are two gay men?
A drifter named Candelario asks to spend the night at the hacienda of Don Lazaro. Once there, he gets the offer to stay and work as a laborer with a fixed salary. Over time, Candelario is gaining the confidence of his employer, and becomes indispensable. The situation will change radically when Don Lazarus discovers that Candelario is having a love affair with his wife.