年轻的艾莉丝·莱西（西尔莎·罗南饰）代表着一种不安定的存在，因缺少机会而感到窒息。因为家乡工作前景渺茫，艾莉丝离开了她的妈妈（Jane Brennan饰）和姐姐萝丝（Fiona Glascott饰），尽管她们舍不得艾莉丝，但还是支持了她的决定。在艾莉丝到达美国后，她的房东基欧夫人（朱丽·沃特斯饰），是一个挑剔的女人。通过帮助她定居的当地牧师， 弗勒德神父（吉姆·布劳德本特饰），艾莉丝得到了一份工作，在商店里当售货员。开始的时候举步维艰，但艾莉丝不断努力，慢慢使她的主管Fortini女士（杰西卡·派尔饰）刮目相看。艾莉丝还上夜校进修，在当地大学里学记账，她快速学习进步，希望有一天可以成为一名会计。在一次社区舞会上，艾莉丝认识了托尼· 费奥雷罗（艾莫里·科恩饰），一个意大利裔的男孩，在做水管工的工作，他们的交往既温柔，又极有教养。但在家庭悲剧的打击下，艾莉丝回到爱尔兰，过一个短暂的休假。当艾莉丝为参加朋友的婚礼，延长了她的假期，艾莉丝的母亲开始想方设法，让女儿永久性地留下来。她给艾莉丝安排了一些工作的机会，同时极力撮合艾莉丝与一位善良的本地男孩吉姆·法瑞尔（多姆纳尔·格里森饰）。人生的道路被撕裂成了两个方向，一边是她的祖国故乡，一边是她的新生活。同时，一边是她与托尼的恋爱，一边是她对吉姆的好感，艾莉丝必须认清自己的内心，做出最佳的抉择。
东京寂寞的夜空下，两个失眠的美国人在酒吧里相遇了。或许是眼底那份不自觉外泄的孤独令这对陌生男女悄然走到一起，他们在绝望中又若有所盼，暗自期待一次奇遇来改变一切……
小埃利奥特发现一个意外走失的小外星人，他悄悄的收留了小外星人，并把他介绍给自己的哥哥和妹妹。孩子们与外星人友好的相处，给他吃巧克力，带他去郊外寻找家人留下的痕迹，并为小外星人的种种特异功能兴奋不已。渐渐的埃利奥特与外星人之间形成了某种奇妙的联系，跨越了言语沟通的障碍。可是不久，外星人的存在被大人们知晓，无情的追捕行动展开了。ET被抓进实验室，小埃利奥特也一病不起。孩子们愤怒了，他们自发组织起来，营救外星人。埃利奥特也在心灵的感召下苏醒过来，加入营救行动。他们能成功么？
背景发生在1978年，有位年纪12岁的男孩 David Freeman，在他由森林返家的途中，不慎跌落一个深谷，当他恢复意识回到家中，却意外发现房子里住的居然是陌生人，而且时间居然已经是1986年，已经是8年后了，这位外貌仍为12岁的 David 后来还是终於找到亲人，他的父母简直不敢相信这事实，原本比 David 年纪小4岁的弟弟 Jeff，如今都比 David 还大。而在这件怪事发生的同时，美国太空总署发现有一外太空飞行物降落地球，他们认为这跟 David 的遭遇有某种关系，於是将 David 带去作测试，希望找到两事件之间的关联性，解开一切迷团，没想到 David 居然与这艘神奇的太空船建立友谊，开始他们一连串翱翔天际的冒险。
米盖尔（Algenis Perez Soto 饰）从小就希望成为一名棒球投手，十六岁那年，他正式走上了职业的道路，并用天赋和努力证明了自己的实力。三年过去，十九岁的米盖尔被球探相中，跟随很多和他一样初出茅庐的运动员一起前往亚利桑那州参加集训，一个新的世界就此在他眼前展开。 在训练营里，米盖尔开始明白自己并不是唯一一个拥有运动天赋的选手，因此他开始了加倍的努力。功夫不负有心人，最终，他获得了爱荷华州布里奇顿棒球队的合同书。在棒球队里，巨大的压力和复杂的人际关系让米盖尔逐渐迷失了方向，好在有名为乔治（Rayniel Rufino 饰）的球员一直陪伴和鼓励着米盖尔，使得米盖尔逐渐找到了自己的坐标。
Double-agent Alexander Eberlin is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself! Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.
A sensitive girl struggles with first love and bullying in a 1980's Soviet orphanage.
A young immigrant’s life comes crashing down when he gets a distressing phone call from his home country.
In this short science-fiction film, two men are far away from home. Ray and Brad alleviate their homesickness by watching home movies that were shot from their perspective. By means of virtual reality goggles, Ray sees his wife and children play on the beach.
An immigrant from Hong Kong now lives in Los Angeles. He deals with his homesickness and sense of loss after encountering a strange old man.
Jason Lu, a Hongkonger living in LA, works a shift at a restaurant and finds himself in a bizarre situation, and facing a deadly problem.
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
Photos of Cape Breton landscapes are a google search away, my friends and family are a phone call away, I could probably get a decent donair just about anywhere. If all these things that make my home "home" are so easily accessible, why do I find it so hard to leave? "home(sick)bound" attempts to break that down.
