Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.
A photographer from the criminal forensics department, Arystarkh, dreams of building a career as a professional art photographer.
This film follows the renowned photographer Fay Godwin on location with her camera complete with extensive interviews and analysis. She loved the countryside in all its raw beauty rather than the sugar-coated image so often portrayed in the coffee table books of the time.
A photographer gets more than he bargained for when he makes an unwelcome sexual advance towards a timid young model. The tables are turned when his camera captures a dark piece of her soul.
Audiovisual experiment, on the role of photography and its authors, during the last civic-military dictatorship in Argentina. A documentary that makes clear the complicity of the hegemonic media with the military government and the fundamental role played by the militants, in this case photographers, to document what was really happening in Argentina during the period 1976/1983.
Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.
The short-film documentary shows the trajectory and work of the photographer from Porto Alegre, distinguished by the black and white aesthetic that marks his artistic production.
Members of the photographic convention carrying tripods and cameras file past a waiting room on the deck of the Clyde steamer “Lady Rowena”. Members of party include Craig Annan, Mr. Harold Baker, Mrs. W. Baker and Mrs. Ralph Robinson.
A photographer, a championship, a passion. Black and white documentary that synthesizes, through sounds and images, the trajectory of Zanata, a man who dedicates his life to recording moments of football games. The narrative consists of fragments in which the character photographs games from a championship in the countryside in the interior of Bahia.
Family problems, if not resolved, repeat themselves. This leads Misha, a young photographer, to question his own family's history only to understand that memory has multiple facades.
Gilbert Garcin passed away on April 17, 2020. Having become a late photographer (he was 65), he will never stop defying time, playing with him to clear his head of his memories, to open his eyes to create ... And to become an ageless man, with his double “Mister G”! An unclassifiable being. His work, quickly recognized, is full of poetry and mischief.
Olivia meets a photographer who helps her on a journey to recreate her mothers old photography in an attempt to heal the grief of losing her. Follow them through the streets of Edinburgh as they connect of their shared love of taking photos.
A boy enters an artist's workshop, eager to find out what that encounter might bring him...
A young photographer doesn't know it, but he is about to take one of the worlds beloved photos. During the course of the evening, two people find love encapsulated in a moment. But love like this was never meant to be, unless it is captured forever in time.
Alberto Díaz Korda delivered intense photography experiences throughout his 40-year career. KordaVision traces this brilliant career from his beginning in Havana, Cuba, until he became Fidel Castro's personal photographer from 1959 through 1968.
A 1977 film portrait of the 90-year-old photographer.
Frank Connor, stills photographer on The Elephant Man, discusses his work on the film as well as the evolution of his career, with some very interesting comments about the 'old days' and David Lynch's working methods.
Photographer visits his annual shooting ground to capture the cityscape until a barking in the distance disturbs his peace.