Tako se imenuje eden najbolj znanih tematskih parkov za odrasle. Obiskovalci lahko doživijo Divji zahod čisto od blizu in kar se da pristno: dobijo lahko razvratno zabavo s plesalkami, čisto prave pretepe in celo strelske obračune. Zagotovljena je popolna varnost, saj so v parku njihovi nasprotniki programirani roboti. Med gosti sta tudi Peter Martin (Richard Benjamin) in John Blane (James Brolin), ki sta navdušena, dokler Peter ne odkrije, da je eden od robotov (Yul Brynner) zares ubil Johna...
Will Smith nastopa kot detektiv Del Spooner v srhljivki z vrhunsko tehnologijo, ki jo je navdahnila serija novel vizionarskega pisatelja Isaaca Asimova. Leta 2035 so tehnologija in roboti zaupanja vredni deli vsakdana. Da je zaupanje zlorabljeno, uvidi samo en samcat mož, sam, samcat proti vsemu sistemu. Will Smith bo v prihodnosti obračunaval z roboti. Tistimi 'slabimi', ki ne spoštujejo osnovnega zakona robotike. Le ta namreč zapoveduje, da nikoli ne smejo škodovati človeku. Pri tem mu bo pomagala 'dobra mrha', Bridget Moynahan, ki je z obilico barskih izkušenj uspela zapeljati tudi Colina Farrella kot Rekruta!
Two years after the Westworld tragedy in the Delos amusement park, the corporate owners have reopened the park following over $1 billion in safety and other improvements. For publicity purposes, reporters Chuck Browning and Tracy Ballard are invited to review the park. Just prior to arriving at the park, however, Browning is given a clue by a dying man that something is amiss.
Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.
In this prequel to Transmorphers -- a sci-fi thriller that borrows heavily from the plot of Transformers -- planet Earth is in peril thanks to a rogue army of alien robots, and it's up to a small group of humans to mount a crippling counterattack. Can Sheriff Hadley Ryan (Bruce Boxleitner), a doctor (Jennifer Rubin) and an ex-Marine (Shane Van Dyke) find the automatons' Achilles' heel before they conquer the planet?
An anthology of various tales told in various styles with robots being the one common element among them.
Eight people at a remote Scottish inn find themselves confronted by a woman from Mars, who has landed her flying saucer for repairs but intends to soon conquer the Earth and enslave its men for breeding purposes.
A mechanical brain is programmed to sabotage the government's secret lab while working on the first space station.
In the near future, life-like androids with artificial intelligence have been created to help people with menial household tasks. The prototype, One, created by Roger Marshall and tested by his family, proves to be popular but flawed. Roger has been working on a new model, Two, whose improved features show promise of its super-human abilities. As tensions rise between Roger and wife Shelley, the androids malfunction and the lives of the whole family are soon in danger of Two's sinister plans.
The election campaign in a small provincial town is in full swing. Candidates for ministry position pop up elsewhere, promising "milk and honey" to the voters. Two inseparable policemen, Boki and Pajko, are in charge of peace and order. Everything goes as usual until unexpected visitor from space shows up.
A grandmother and her grandson navigate love and fame, while crossing paths with Baron Frankenstein.
Vigilante Casey Jones confiscates a futuristic gun from a criminal and begins to question his brand of justice. When footage of the fight spreads, girlfriend April O'Neil warns that he is drawing the attention of a dark organization.
A radical remix of the recent Transformers film, via synthetic
collapse and critical revenge on its old & new fascist tropes >
celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent
poetry of the Futurists are superimposed on the mythic morphology of
the Autobot blockbuster’s machine mayhem. Images of death &
destruction reign in a delirium of transformations as, to quote
Marinetti: “We Decompose the Universe!”