Follow four agriculturalists in mythological Moshav Nahalal for a year as they work and complete a cycle of crops. ADAMA ("Farmers") introduces us to the Nahalal elders, who work until their dying day as they deal with inter-personal conflicts and the conflicts between man and land.
They are in poor shape and are afraid of the ball, but Norway's new national team still wants to go to the WC. With Ole Martin Årst as coach, they aim for the top.
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For a long time, the Adriatic Sea used to be Central Europe's only link to the orient. This small sea became a symbol of entry to the vast, exotic world, allowing the city of Venice to call itself "Queen of the Seven Seas".
There were times when the economy was thriving and all indicators were turned upwards. But then finances crashed and reality hit – the economy had been on steroids. While professionals argue whether the financial crisis runs in the form of V or in the form W or has become a line segment at the bottom of the graph, we are wondering: "How could this have happened?!" Some answers can be found in To The Top And Back. Featuring Albin Kordež, a financier, a former president of the board, manager of the year, a member of the Bank of Slovenia governing board, the mastermind of management buyout, a "tycoon", a convict residing in the semi-open unit of the Dob Prison.
The beginning of the 21st century is marked by globalization and the uniformity of opinions, ideas, and visions. The village of Juršče, far removed from the broken and crazy world, yet so close, still preserves the memory of how their ancestors lived.
The valley of tears is a synonym for the prison in Dob, Slovenia. The film takes us to the event organised as part of the Engage and Activate project (ViA), with a performance by the band Autodafé, interweaving it with personal accounts of three inmates who are part of the project. The first one was convicted of murder, the second one of sexual assault and incest, and the third one of fraud/financial crime. In a symbolic way, songs of the sea complete the idea of the film which perceives the prison as an isolated island detached from everyday life and society.
It shows the ethnic Nuba civilians defending themselves with the help of over 400 cameras distributed by himself and Klemen Mihelič, the founder of humanitarian organisation H.O.P.E., to volunteers across the war zones in the Nuba Mountains, Blue Nile, and Darfur, documenting the (North) Sudan military's war crimes against local populations.
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Daily dedications to a minor artisan of the classical Hollywood western, and to the indivisibility of life and cinema. Each segment was originally a kind of letter, a private correspondence, sent in fragments to a friend over a few weeks—an ode to R.G. but also to B.C., as well as to cinephilia and solitude.
Disintegrations—ecological, sensorial, and medial—between the viewer and the world viewed. Images of something like nature struggling to endure against the noise of an entropic electronic signal.
After the war, the young totalitarian authority was afraid of Jesuits that had good connections all over the world, even in the countries Slovenian political immigrants fled to. They were accused of hostile activities and put to a framed-up trial.
The Nuba people, ninety-nine black African tribes in the Nuba Mountains in the Sudanese province of South Kordofan, have been under siege by the Sudanese army for fifteen years. The genocide against the Nuba, is completely ignored by global politics.
An Australian Mockumentary following three hunters as they each try to catch the Jolly Man himself, Santa Claus.
A revelatory, biographical outline of the life and times of Ireland's greatest painter, Jack B. Yeats