A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.
A clergyman is startled by a group of automatons.
George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard. (Edison Catalog)
A man flies his plane "Fend l'Air" over Paris.
A comic picture that defies description. It depicts the Twentieth Century up-to-date tramp flying over the chimney tops of New York City in the latest improved flying machine. Weary Willie has the indispensible tin can hanging from his waist and he waves his hands to his friends as he flies along. He passes over the top of the Equitable Life building and other New York sky scrapers. He flies over the East River and clears the top of the Brooklyn Bridge, and appears to be making his way toward Staten Island. When he is about in the centre of the river, his flying machine explodes, and like the unfortunate McGinty, down goes Weary William.
El profesor Barbenfouillis y cinco de sus colegas de la Academia de Astronomía viajan a la Luna a bordo de un cohete propulsado por un cañón gigante. Una vez sobre la superficie lunar, los audaces exploradores afrontan los muchos peligros que ocultan las cuevas del misterioso satélite.
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
An inventor dreams that his newly designed airship takes flight.
A scientist dreams of prehistoric monsters. He awakes in a cavern. A dinosaur chases him, even though he tries to shoot it with his revolver. The chase continues onto the surface. The professor meets a group of prehistoric women, who flee when other monsters appear. The professor's wife finds him sleeping in the laboratory, surrounded by fossils, and wakes him with water from a siphon. This short film is only viewable at the BFI, and its generally believed to be the first film depiction of dinosaurs, here accomplished through the use of simple pantomime costumes. Description modified from IMDB.
A car crash blows a lady with a parasol onto a steeple. An inventor with an airship comes to the rescue.
An old astronomer named Nigadimus has been transfixed by a star for a long time. He had but one thought: to travel to it, to declare his love for it! But how? A simple but ingenious solution-- A giant bubble. An Italian production, this is Velle's longer version of his own film for Pathé, released the same year-- On the same date. Uses many of the same sets, but different props, as well as a different ending.
An old astronomer has been transfixed by a star for a long time. He had but one thought: to travel to it, to declare his love for it! But how? A simple but ingenious solution-- A giant bubble. Velle remade the film for Italian studio Cines in the same year.
A magical glowing white motorcar ignores policemen, drives up buildings, flies through outer space, and can transform into a horse and carriage.
As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.
A midsummer Phantasy. The man having been attacked by footpads, puts on a suit of medieval armor which has been magnetized at a dynamo by two boys. Every metallic article which he approaches flies to him, to the great consternation of many people.
A young woman sitting on a bench in the public park is annoyed by an old man sitting next to her and paying her persistent attention. Resenting this ridiculous flirtation, the young lady rises to leave, but the old man tries to stop her, so she pushes him down and is soon seen seeking more peaceful quarters. The old flirt, disgusted, starts reading his paper, when his attention is attracted by an advertisement of some wonderful pills. (Moving Picture World)
A haunted-hotel film, reviving a joke from a 1900 comic strip showing a sleeper being ejected from an electric bed.
In this funny picture we see the vacuum cleaner, the modern dust eradicator, performing some very droll tricks. As soon as the fellow turns on the air then the fun begins. It is all accomplished through some clever trick photography. First we see two attendants start out to do a cleaning job, and while they stop to take some refreshments, two men, who happen to be passing, take the machine and start down the sheet to have some fun. They meet a woman with a dog on a leash, and at a turn of the wheel, the dog and its mistress are quickly drawn into the spout. Next a nursemaid comes sauntering down the street, and when they level the spout at her she meets the same fate. A girl and her lover are the next to disappear off the face of the earth, and still they go along, looking for more victims. (Moving Picture World)