"A glove contest between trained cats. A very comical and amusing subject, and is sure to create a great laugh." (by Edison Films)
A man and a kangaroo stand up in front of each other with boxing gloves, and simulate a boxing match on a theatre stage.
A quarrel between two women that a man attempts to separate.
A kickboxing movie. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time.
Cops chase a pair of burglars on the rooftops of the city.
Three military men, seen inside a fortification, are firing on an unseen enemy force. The call for reinforcements but ladders appear signalling the enemy is about to overrun this position.
Japanese actors act out an early martial arts weapons scene.
Two fighters, in traditional costume, taking part to the national kendo tournament.
This Victorian duel between knife-wielding women was taken from an existing stage production, thought to be the Drury Lane theatre melodrama 'Women and Wine'. The actresses are believed to be Edith Blanche and Beatrice Homer.
This Victorian duel between knife-wielding women was taken from an existing stage production, thought to be the Drury Lane theatre melodrama 'Women and Wine'. The actresses are believed to be Edith Blanche and Beatrice Homer.
The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?
A short film depicting a dramatized scene from the Boer War, produced by the Lancashire company Mitchell and Kenyon. The film portrays the rescue of two nurses from impending danger at the hands of Boer soldiers, thanks to the timely arrival of British troops. The filming took place on the outskirts of Blackburn.
Vigili del fuoco in azione.
The public throughout the world is acquainted with the sensational capture of the Biddle Brothers and Mrs. Soffel, who, through the aid of Mrs. Soffel, escaped from the Pittsburg jail on January 30th, 1902.
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...
Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the poachers have guns as well, and a fight ensues with casualties for the hunters. Two cops appear and so do dogs as the chase continues. Will the poachers escape, or will they, like the game they were after, be trapped?
Two burglars have just entered an elegant-looking home, but before they can proceed, the woman of the house enters the room. One of the burglars seizes her, but then her husband enters and gets her free of the burglar's grasp. But the husband did not notice the second burglar, who now comes to the aid of his partner - and a tense confrontation is about to begin.
A couple elopes; Her father pursues via motorcar.
L'ultima scena è la più emblematica del film e mostra il capo dei banditi, che, seduto e inquadrato fino al busto, alza la pistola e la punta contro la macchina da presa (gli spettatori), sparando verso l'obiettivo senza batter ciglio.
La scena, che, a discrezione del proiezionista, poteva essere montata anche all'inizio del film (e fu l'unica a essere colorata a mano), aveva un effetto a sorpresa ed era destinata a sorprendere il pubblico. Se montata all'inizio poteva valere come anticipazione dell'azione successiva, se montato alla fine era una sorta di minaccioso avvertimento che il cattivo poteva tornare, soprattutto tenendo conto che gli spettatori ben sapevano che nella realtà il capo dei banditi del vero assalto al treno era ancora libero.