This film portrays aspects of an Afghan refugee's life - his living conditions in Peshawar and his longing to return to Herat. It is also about Amir's life as a professional musician and his relationships with other musicians in Peshawar.
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
An extraordinary love story of Irena and Avguštin Maučec from Turnišče, a village in the region of Prekmurje, Slovenia. In the 1990s, soon after their wedding Irena and Avguštin had a bad car accident that left Irena with a serious brain injury. Failing to wake up, she was given up on by the doctors to die a slow death. Avguštin would not agree: he took her home and has since been giving her selfless care. After years of battling the healthcare system, he decided at the age of 40 to study law. He is now about to take his bar exams, and find a job to be able to take proper care of Irena.
iIsland is a feature documentary about the last 13 inhabitants of the island of Biševo and their struggles to save the island community from extinction. Lada, who is a yoga instructor, and Lucio, who works as a cook on a ship, have established a city council for the island to obtain legal status. They hope this will protect it from the aggressive tourist industry, which wants to turn the old school building into a tourist centre with multimedia, touch-screen presentations.
Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.