The film celebrates the beauty of plural India through the genre of the road movie.

The contemporary relevance and future of oldest classical music.

A film about home and belonging, tracing the filmmaker's personal journey to understand what it means to be a Muslim in India today.

The gendered looks of metropolitan Delhi become a camera eye, sketching the everyday life of a female driver exposed to the male gaze. The experience of women who live in this city is embodied in a mirage like images constructed by the director.

An impressionistic sketch of ‘the public’ as created by our cinema and its relationship with cinema itself.

Centred around a film festival of Indian films in China, the Film reflects on the dominant as well as alternative impressions of cultures – people, histories and landscapes – brought to us by cinema, playfully examining the idea of the cinematic image as an integral part of cultural propagation.

The ten anthologies and eight long poems of the Sangam age are the oldest and most distinguished body of secular poetry extant in India, of which women poets were a very strong presence.

The story of a camera that perished in a Tsunami. The Film shares special moments that the Filmmaker experienced with his camera, a special bonding over a period of four years, creating cinematic imagery, relating, exploring, seeking and interpreting notions of his reality. It is a memory of a camera which perished in the tsunami, along with its last filmed footage – elusive images, evoking multiple possibilities, seeking parallels and new perspectives.

In Nagaland stones are deemed to be reminders of what they have seen. This documentary traces modern manifestations of recorded memory and how the past lingers on.

A documentary on the struggle of Tamil writer Sundara Ramaswamy to evolve modern literature in a society stuck with caste identities, traditional hypocrisy and language chauvinism.

A free-flowing and intimate documentary on a maverick character from the Tollywood film industry, Kolkata, who has been in the doldrums because of serious addiction issues.

An impressionistic film that paints a picture of Kozhikode in North Kerala and the spiritual immersion of its ordinary town-dwellers in music. A reflective essay traversing a music culture that is cosmopolitan, having strong local and global influences, it explores the music and memories of the city and its people.

As a call from the periphery of sanity, the film is a series of dream narratives, and accounts of spiritual possession as experienced by women 'petitioners' at the shrine of a Sufi Saint in North India.

Stories of some people in Odisha, accused, ostracized and tortured for being ‘witches’, pointing to a deeper crisis.

The Quantum Indians is the compelling and inspirational story of three Indian scientists -Satyendra Nath Bose, C.V. Raman and Meghnad Saha - who revolutionised the world of Physics and Indian Science in the early part of the 20th century.

The Film is inspired by the work of Urvashi Butalia and Ritu Menon, who co-founded the first feminist publishing house in India: Kali for Women. It looks back on thirty years in publishing and focusses on the feminist politics and friendships that make this survival possible.

Adoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.

Story of the filmmaker's journey with Uma, a certified scuba diver, exploring the underwater world and the threat to coral reefs of Gulf of Mannar, India. Born in a traditional family in Tamil Nadu, 53 year old Uma, a homemaker, has been trying to bring attention to this alarming environmental issue through her paintings. It is, in fact, these corals that inspired Uma to learn how to swim, dive and paint in her 50s.

They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.

Schizophrenia. It may be one word, but it immediately conjures up multiple connotations. Mad. Incurable. Violent. Suicidal. Chemical imbalances. Crazy. A lifelong condition. Inevitable dependency on Medicines. Dark. Terrible. 'A Drop of Sunshine' challenges these notions. It questions the mainstream view of the condition and seeks alternate ways of recovering from it. Through the powerful story of its young and gutsy protagonist, Reshma Valiappan, it seeks to give viewers a new vocabulary to address the stigmatized mental illness. The film proposes that the only treatment method that can work in Schizophrenia is one where the so-called 'patient' is encouraged and empowered to become an equal partner in the process of healing.