两名没有什么共同点的高中学生在班级旅行期间遭遇意外受困荒岛，二人之间迸发出了爱情的火花。
一个离婚的母亲接近她的40岁生日落在了年轻人，而在度假。
Based on a true story. Philip Markoff, a charismatic and popular med student at Boston University, leads a double life as a brutal and cruel sexual deviant who abuses prostitutes he finds via Craigslist.
19世纪末的马萨诸塞州，生活着32岁仍待字闺中的白人女子莉兹·波顿（克里斯蒂娜·里奇 Christina Ricci 饰）。她灵巧美丽，但生活中鲜少展露笑容。莉兹的父亲安德鲁（史蒂芬·麦克哈蒂 Stephen McHattie 饰）为人刚直严厉，与周围人的关系都颇为紧张。而莉兹和父亲以及继母艾比（Sara Botsford 饰）的交流也存在着严重的误解和障碍。在某个分外炎热的夏日，波顿夫妇在家中被人残忍杀害。这起案件震惊宁静的小镇，作为目击证人的莉兹无疑有着最大的嫌疑，进而遭受杀人罪的指控。正反双方围绕莉兹展开唇枪舌战，但无人能够辨认出她天使抑或恶魔的身份。
传奇女杀手的再现，真相依然隐藏在历史的迷雾之中……
Author Nancy Crampton-Brophy often writes stories about female protagonists who fantasize about killing their own husbands. In a shocking and ironic turn of events, Brophy faces accusations of doing the same thing in real life.
影片改编自特拉维斯·亚历山大被害案。2008年6月4日，推销员特拉维斯·亚历山大（Travis Alexander）被人谋杀在亚利桑那州梅萨市他的住所，身中多处刀伤并被割喉及枪击头部。亚历山大的前女友乔迪·阿里亚斯（Jodi Arias）被控谋杀被逮捕。审讯时，她作证辩称是出于自卫而杀死亚历山大。2013年5月8日，她被裁定为一级谋杀。目前正面临被证实有罪后的死刑量刑。
The story of Drew Peterson, who is charged with the death of his third wife after the mysterious disappearance of his fourth wife.
The shocking true story of Catherine Oxenberg and her fight to save her daughter India from a dangerous sex cult.
Lifetime Movie is a sequel to their 2009 film NATALEE HOLLOWAY and picks up in 2010 on the five-year anniversary of her death. Beth Holloway (Tracy Pollan) is still trying to find out what happened to her daughter when the already strange case takes another turn when Joran Van Der Sloot (Stephen Amell) is arrested for murdering another girl. If you've followed this case like I have then there's not going to be any new twists or turns in this film but then again that was pretty much true for the first one. I was a little surprised to see how well-made this thing was and there's no question that it's a better movie than the 2009 one but at the same time there are a few too many flaws to really call this a good picture.
Down the Rabbit Hole looks beyond the polished facade of the Playboy brand to depict the visceral, often deeply damaging stories of the women who entered following a dream and found themselves manipulated, controlled, and abused by the machine.