Three women head home to collect their inheritance, but they stumble upon a group of witches trying to bring their vampire leader back to life.

Sixteen year old Bibi comes to her aunt Toni's boarding house where she is seduced by lesbian women.

Elizabeth and David are getting married. One day a sailboat anchor outside their villa in the archipelago. Elisabeth feels a vague threat from the unknown sailor aboard.

Betty Van Sevenant, a young resistance fighter from Bruges, arrested in March 1942, was declared "Nacht und Nebel". She recounts her deportation to the Ravensbrück and Mauthausen camps until liberation. Tobias Schiff, a Polish Jew from Antwerp, was deported with his parents to Upper Silesia on August 28, 1942, on convoy No. 25. His story begins upon arrival at Auschwitz-Birkenau and concludes with the liberation of the Bergen-Belsen camp. (2 x 26 min.)

Rajiv, a chronic bachelor and a business tycoon, decides to have a child. Annie, who has financial needs, agrees to help him and give birth to Rajiv's child through artificial insemination.

Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?

This standard slice-of-life drama is about Dju Dibonga (Richard Courcet), a young man who leaves his home on Cabo Verde, an island of Portuguese dependency off the coast of Africa, to go to Luxembourg and search for his father. Far from his home village and unfamiliar with the large city, the young black man forms an unlikely friendship with a down-and-out white policeman whose only consolation in life is found at the bottom of a bottle. Their developing companionship forms the main focus of this movie directed by Pol Cruchten.

John Hurt stars as a scandal-hit member of parliament, dispatched to the political backwaters of the European Commission in Brussels as penance for his failures. However, once there he stumbles upon a chemical weapons outrage that points to a sinister political-industrial conspiracy.

In a small village of Haute-Provence, it is an event. The abandoned bakery comes back to life. Aimable and his wife Aurélie bring out the first batch of bread for the happiness of the inhabitants. Among the first customers, Dominique, a young shepherd, does not leave Aurélie indifferent...

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

The year is 1898. Héloïse, 9 years old, comes from a family belonging to the anti-Dreyfus and anti-Semitic Parisian high bourgeoisie. In a spirit of revolt, she begins a love affair with Maxime, a young Jewish journalist. During a terrible quarrel with her father, the latter suffers a stroke and dies. To get her away from Maxime, her mother Mathilde and her cousin Olympe take Héloïse on a trip to the Orient. After Cairo and the Pyramids, they go up the Nile and cross the desert in a caravan.

Jeanne attends the birthday party of a friend of her husband. There she meets a dancer named Marie and there is instant chemistry between them. Jeanne falls for Marie and they embark on an extramarital affair.

A good-natured kid struggles to earn his mother's love without much success.

After being left by his fed up wife, an author moves back in with his mother in the hope of finishing his book in peace and quiet.

The strange relationship of a man and a woman, the latter having surprised the erotic antics of this one with a stranger, missing since.

Three no-budget semi-professional filmmakers finally get their due in this witty but respectful documentary. Director Frederic Sojcher visits three fellow Belgian auteurs whose ambitions outstrip their budgets, or their recognition. Max Naveaux is a projectionist who decided to take a stab at making movies himself, putting together small-scale war films whose realism was heightened by the fact that the Belgian Ministry of Defense gave him permission to use real bullets for one of his movies. Schoolteacher Jacques Hardy has dabbled in creating film noir, costume horror, and comic-book adventures, most starring his friend Christian Vranken, who makes his living as a church caretaker and insists on casting approval for his female co-stars. And Jean-Jacques Rousseau is a self-styled surrealist whose commitment to obscurity is great enough that he insists on being interviewed while wearing a ski mask.

The last three days in the life of Elizabeth of Austria before her assassination

In a small town in the West of France, during the German Occupation, a room is requisitioned by a Wehrmacht captain, Werner von Ebrennac. The house where he now stays is inhabited by young Jeanne, who makes a living by giving piano lessons, and by her grandfather. Quite upset, the two "hosts" decide to resist the occupier by never speaking a word to him. Now Werner is a lover of France and its culture, and he tries to persuade them that a rapprochement between Germany and France would be beneficial for the two nations. Quite unexpectedly Jeanne, little by little, falls in love with Werner. At the same time, the Francophile officer loses his illusions, realizing at last that what Nazi Germany actually wants is to thrall France and to stifle its culture...

We see how a man, who has no memory of his past, deals with his past when he finds out about it.