Betty Van Sevenant, a young resistance fighter from Bruges, arrested in March 1942, was declared "Nacht und Nebel". She recounts her deportation to the Ravensbrück and Mauthausen camps until liberation. Tobias Schiff, a Polish Jew from Antwerp, was deported with his parents to Upper Silesia on August 28, 1942, on convoy No. 25. His story begins upon arrival at Auschwitz-Birkenau and concludes with the liberation of the Bergen-Belsen camp. (2 x 26 min.)

Three no-budget semi-professional filmmakers finally get their due in this witty but respectful documentary. Director Frederic Sojcher visits three fellow Belgian auteurs whose ambitions outstrip their budgets, or their recognition. Max Naveaux is a projectionist who decided to take a stab at making movies himself, putting together small-scale war films whose realism was heightened by the fact that the Belgian Ministry of Defense gave him permission to use real bullets for one of his movies. Schoolteacher Jacques Hardy has dabbled in creating film noir, costume horror, and comic-book adventures, most starring his friend Christian Vranken, who makes his living as a church caretaker and insists on casting approval for his female co-stars. And Jean-Jacques Rousseau is a self-styled surrealist whose commitment to obscurity is great enough that he insists on being interviewed while wearing a ski mask.

In an attempt to verify the hypothesis that her Aromanian grandfathers were photographed by the famous brothers Milton and Ianaki Manakia, the director embarks on a Balkans journey through Romania, Bulgaria, Macedonia and Greece.

The strange relationship of a man and a woman, the latter having surprised the erotic antics of this one with a stranger, missing since.

A heartwarming comedy of parents using a computer for the first time to communicate with their son in America.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

Aurelio Saravia is a powerful politician who holds office in Uruguay in the mid-1960's. When Aurelio's mistress kills herself, he adopts their illegitimate daughter Masangeles despite the stern objections of his wife Aurora. Masangeles finds herself growing up in a home ruled by a corrupt and self-centered tyrant and his manic colleagues while Uruguay teeters on the brink of civil war as bands of revolutionaries battle government militias. When she turns fourteen, Masangeles discovers a secret passageway in their home that leads to sanctuary in a nearby church which also serves as a storehouse for guns and ill-gotten cash. Teenage Masangeles falls in love with Santiago, her stepbrother who has joined the rebels fighting against the state, and she persuades him to take her virginity.

Three men working at a petrol station in Reykjavik battle boredom, strange visitors and their own customers.

In a small village of Haute-Provence, it is an event. The abandoned bakery comes back to life. Aimable and his wife Aurélie bring out the first batch of bread for the happiness of the inhabitants. Among the first customers, Dominique, a young shepherd, does not leave Aurélie indifferent...

Le Cou de la girafe (The Giraffe's Neck) is a 2004 French/Belgian film directed by Safy Nebbou.

Elizabeth and David are getting married. One day a sailboat anchor outside their villa in the archipelago. Elisabeth feels a vague threat from the unknown sailor aboard.

After being left by his fed up wife, an author moves back in with his mother in the hope of finishing his book in peace and quiet.

In a war-torn African country, a small group of young people, led by Mão-de-Ferro, a traumatized and violent war child, arrive in a mysterious city where children, abandoned by adults, have created their own utopian republic.

Three Macedonian women have to contend with control over their bodies, tradition, loyalty, pregnancy and adoption. They have not set out to change the world or society, but their struggle to become mothers makes them unlikely heroines. The three bittersweet stories, one medieval, two contemporary, mirror and contrast one another, exploring themes of love, trust and motherhood.