Kultinė lenkų komedija pasakoja apie du užsišaldžiusius mokslininkus. Vyrai pabunda 2044-aisiais. Tuomet pasaulį valdo vien moterys, o du vyrai bando kažkaip išgyventi. Be abejo, po visu tuo slypi totalitaristinės sovietų sistemos komentaras, komedija dangstoma žinutė apie engiamą žmogų.

A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.

Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan's concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him. In the meantime, Emperor Nero accuses Christians of having started a great fire in Rome. He encourages the imprisonment, torture and murder of his Christian subjects.

Varšuva, ketvirtasis dešimtmetis. Patyręs seifų plėšikas Henrikas Kvinto siekia atkeršyti prieš daugelį metų jį policijai pakišusiam banko savininkui Krameriui. Kvinto surengia Kramerio banko apiplėšimą, o dalį pinigų paslepia jo namuose. Kai dingsta alibi galėjusi užtikrinti gražuolė, bankininkas atsiduria už grotų.

A provincial town in the early 1980s. Among its residents is the Kolęda family. Mrs. Kolęda is an energetic community leader, her husband, a gentle soul, takes care of raising ducks and cultivating flowers in "tunnels" at home. Their daughter, Dorota, is a pretty and unemployed young woman. The intrigue begins when the community leader finds out that she is going to become a grandmother. Fear of losing authority, scandal, and embarrassment inspires her to come up with a truly diabolical idea - they need to buy a fiancé for Dorota with a pre-arranged divorce.

Released from prison after five years, con-artist Szu is sent packing by his young wife; he heads for the town of Lutyn where he runs a con and attracts the interest of Jurek, a young cab driver who imagines himself a great grifter. Szu ("Sharp") teaches Jurek a few tricks enabling the young man to win some money in Wroclaw, then Sharp departs with Jola, a prostitute who offers him a mark. How that plays out, Jurek's determination to win big, Sharp's cold calculations, and the wages of sin await.

A story about women, set in the present and in 1950s Warsaw. Sabina, a quiet, shy woman who has just turned thirty lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secrets can be kept.

During a pogrom in Poland on the eve of World War I, a group of Jews seek refuge from the Cossacks. The fugitives hide out in a rural inn, terrified that they may be given away at any moment.

A man is tried in court for failing to help his brother to avoid suicide.

Wiktor Wiarecki is an unsuccessful writer. He is also not successful in his personal life: Wiktor's marriage is in crisis, and his adult son wants nothing to do with his father. The turning point is the death of his friend Wiarecki, an outstanding writer Stefan Przewłocki. A literary widow gives Wiktor the materials for the deceased's last novel.

Children of the Leśniewski family decide to help their mother in daily chores so she can have more time for herself.

Told in flashback as Mieszko lies feverish in his bed just before the Battle of Cedynia, Gniazdo recounts how the revered leader extended Poland's borders, formed an alliance with Emperor Otto I, and ultimately strengthened his country's autonomy by achieving victory during that crucial battle in the year 972.

Chevalier de Charentes goes to Poland on a double mission.

Told as a film within the film, the story concerns an aging actress. Ewa is a flamboyant, pushy actress whose career and love life have come to a dead end. She lives in a faceless housing development. She is totally engrossed in herself and dreams of making a comeback as a singer. But her overbearing personality time after time sets her into conflict with those she tries to work with in the theater and her bedroom.

Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.

After Poland won freedom from of its long overlordship by Russia and the Austro-Hungarian Empire in 1918, it took a further four years for its National Assembly to elect Gabriel Narutowicz as its first president. Narutowicz was a professor who until his election had been living in Switzerland. Those were chaotic times, and shortly after his election, he was assassinated by right-wing fanatics. This epic Polish film chronicles the circumstances of Narutowicz's election and assassination.

After a con-man is released from prison, he gradually gets back to his old tricks, but his cons grow ever more elaborate and travel steadily up the ladder of society until he has local politicians and important government ministers involved in his schemes.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

TV series based on William Thackeray's novel.