The 1984 short Barres celebrates the ingenious ways one can get onto the Paris Metro without paying.

The most legendary 'sequence' ever achieved by a mountaineer: on 12 and 13 March 1987, in 40 hours, 26-year-old Christophe Profit managed to climb three of the highest north faces in the Alps, in winter: Grandes Jorasses, Eiger, and Matterhorn. But over and above this 'coverage' of the feat, we discover the wings, the story behind the project, the peaks and troughs of the preparations for it, and the personality of the man behind the climbs, a dancer on sheer rock faces, focusing all the energy and reflexes of life itself in his fingertips.

July 1956: like every summer, the actor and cellist Maurice Baquet temporarily deserts the stage and the cinema studios to go to Chamonix where the mountaineer Gaston Rebuffat is waiting for him. A few days later, the two men achieved a historic first, that of the south face of the Aiguille du Midi (3,842 m), a magnificent wall rising like a rampart above the Vallée Blanche. July 1988: to pay tribute to the memory of his friend Gaston, now deceased, Maurice Baquet once again climbed this wall suspended between heaven and earth with the man who, 50 years his junior, is considered one of his best contemporary mountaineers: Christophe Profit.

A man tries different ways to open a Coca Cola bottle.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

Documentary film about the camps in the south of France, in which Spanish civil war refugees and the volunteers of the "international brigades", non-sedentary people and Alsatian and foreign Jews were interned from 1939 onwards. Under the Vichy regime, the camps were used to intern other criminalized population groups and French Jews, who were also deported from there to extermination camps. In a mosaic of artificially framed shots, formerly interned contemporary witnesses describe their own life stories. Director Mangiante not only sheds light on the history of the camps, but also the mechanisms of personal memory.

Guy, film critic of the Cahiers du Cinéma and terminal cinephile, plans to write about the Vittorio Cottafavi retrospective at the Alcazar, his local cinema. One day he notices that Jeanne, film critic of Postif, the rival magazine, seems to be following him. He is intrigued-- is she interested in him, or planning to poach his praise for Cottafavi in her own article?

Route One is the first major U.S. highway. 5000 km along the Atlantic coast, from the Canadian border to the tip of Florida. Doc, a physician who spent many years in Africa, returns to the U.S. and decides to reconnect with his home country by walking the legendary Route One.

Despite being forcibly converted to Christianity in 1497 many of the Jews of Portugal continued to practice Judaism in secret. Today, residents of the village of Belmonte practice an amalgam of Christian and Jewish rituals.

Lyrical video letter by Robert Kramer to his friend Paul McIsaac captured during the editing of “Route One/USA”.

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

In 1990, the Louvre invited the French philosopher Jacques Derrida to create a visual and philosophical product based on the materials of the museum's exposition. The philosopher chose the image of a blind man in painting. In the film, Jacques Derrida reflects on the drawings of the Louvre's "Parti-pri" exposition. The director captures the emerging thought and, with the help of various representative means, allows us to see the rapprochement that Jacques Derrida establishes between the gesture of the artist and the gestures of the blind man.

Documentary featuring a candid interview with Kieślowski and rare behind-the-scenes footage from the set of The Double Life of Véronique

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.

A travelogue of abandoned strip mining sites in France extolling their potential for recreational use.