Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.
Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
The global corporations have established cities and agricultural zones in areas where the climate is relatively good. These cities are populated by the elites, while the immigrant masses struggle with hunger and epidemics. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis - and, as a result, by massive crop failure. Professor Erol Erin, a seed genetics specialist learns of Cemil Akman, a fellow scientist. Apparently, Cemil wrote a thesis about the recurrent crisis affecting genetically modified seeds - but the work was banned by the corporation..
It is near future story in Anatolia. There is no indication of time and place, an post-apocalyptic world that ruled over by primitive technology. Zait, a loyal mine worker who works for a mine factory which is managed by unknowns, declares war against the factory.
Mehmet is a man living with his family in a mountain village in the Black Sea region. He earns his living by breeding a few animals, while passionately looking for a mineral reserve on the mountains, but his pursuit is seen useless by his family. Devastated by vain efforts, his hope is renewed with a competition. Mehmet will attend the bull fight held in Artvin, but he returns from Artvin completely lost, once again. This simple story pictures the naive portrait of a touching life, a life struggle in hardship and the relationship between nature, animals and human beings.
José Manuel and the other members of the ufology association Ovni-Levante meet weekly to exchange information about extraterrestrial messages and abductions. Julio, their leader, dies unexpectedly, leaving José Manuel as the only person who knows about the cosmic secret that could alter the human future.
Living on his own under a modest roof, Sami makes a living as a mural painter. One day, he learns that his doting grandmother has passed away and left him a small chest full of calligraphy materials. At first, Sami rather dismisses the contents of the chest, so much so that he even considers getting rid of them. But then he meets Selma at the library where he has been commissioned to do a mural, and the introduction marks a turning point for him. Selma, an attractive and dignified woman with the impeccable manners of an old Istanbul family, once took up calligraphy herself. With her guidance and encouragement, Sami embarks on learning the practice of calligraphy. He is helped in his endeavours by Esref Efendi, a gifted but demanding old-generation calligrapher, whose distaste for the present state of calligraphy has deterred him from taking on students for some time. And the master is quick to steer Sami towards love.
Ayşe returns to her hometown in northeastern Turkey to nurse her gravely ill mother. Before she dies, Ayse’s mother tells her that she will leave Ayse her much loved bee hives to manage. Ayse’s modern life has moved her away from the mountains of her childhood – a life in which the bees and their honey were central. But she puts her city life on hold to manage the bees, which provide a distraction from her grief. Ayse slowly starts to work with the local bee keeper to manage the hives but finds the lessons of her childhood are buried deep and the hives are more difficult to manage than she remembers. Ayse’s failure to pay needful attention to local advice sees her mothers bee hives seriously damaged, if not lost forever. What’s more a Caucasian bear becomes a real threat to her hives and her life.
An authoritarian father, who makes his living in a mountain village with tree trade, has a deeper problem with his family due to his oppressive and unjust behavior. The way out of this psychological crisis that the family is in depends on the ability of family members to forgive each other.
A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.
Alim works as a tailor's apprentice to Yakup for the past 15 years. Obsessive and fearful of death, he is stuck in the routine of a mundane life. He opens the store in the morning and either takes a nap or watches TV until his boss arrives. In the evenings, he goes home carpooling with Kemal from the coffeehouse. When he watches a new item on TV about the perils of cars running on LPG, he starts to check out each taxi he rides on to see whether it runs on autogas or not, each time, he marks a score. To avoid using a vehicle, he dicedes to move to a newapartment closer to work. This change he makes will be a vital turning point for Alim.
Suna is a teenage athlete who lives with her mother in a mountain village much like the world at large: here, things are run by older men who know it all, environmental destruction looms, and greed beats in most hearts.
A true intersection story of a teenage boy lives in Black Sea hills whose life is full of struggle, a heroic soldier Ferhat and an uninvited visitor from back of beyond.
Derviş Zaim turns his camera into a tragedy in Syria this time and reminds once again the value of telling stories. Flash memory is from a true story; It is inspired by a Syrian military officer secretly taking out 11,000 photographs documenting the regime's violence against civilians and opponents. Losing his ability to speak as a result of an attack, Ahmet starts working in a unit where people who died in conflicts are photographed and recorded. He wants to announce what he sees to the world, and to give voice to stories stuck in war. He has to choose between protecting himself and his wife or fulfilling his responsibility to humanity.
Veysi lives in a village in the middle of Anatolia. One morning, when he goes to his barn with his son Mustafa, a pack of wolves attacks on his sheeps and Veysi loses most of them. Thus he wants a better gun to protect his herd, which is Mauser, ‘The king of the rifles’ as they say. Eventually he finds himself in a fight with the wolf and also his brother about their fathers inheritance.
Tarik, 8 years old, lives in the city. He suffers a car accident with his father, who dies, and with his mother, who is in a coma in the hospital. Tarik suffers from memory loss. With no other relatives in the city, he is sent to a village to live with his grandparents. The boy doesn't remember anything, but dreams constantly and connects himself with an animal that lost its mother in a car accident in the village.
Fikret works at the library. He is married and has a ten-year-old son. He literally has a routine life. With his wife leaving home, he loses his ability to continue his daily life. His son suddenly finds himself in the position of his father's father. The film tells the story of a father with high functioning autism and his "normal" son.
The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.