It's Friday morning at Panamerican Machinery Inc., a company specialising in selling and repairing machines for construction and destruction. The employees are already winding down for the weekend, engaging in little rituals and routines when an unexpected turn of events shakes their peaceful monotony. Don Alejandro, the boss, lies dead at the back of the warehouse.

The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.

Motosikletçi kimseye asla ödünç vermediği güzel motosikletinin üzerinde gururla oturuyor. Ormanı tek başına keşfedebileceğinden emin. Sömürgeci fatihlerinin kibrini hedef alan, rollerin terse döndüğü eğlenceli bir canlandırma.

Portugal's countryside is everyday more isolated and lonesome. In its empty roads, a mysterious man (Miguel Damião) drives around gathering sticks, stones - and victims. But what is this sinister figure working on?