Parece un viernes de trabajo cualquiera en Maquinaria Panamericana S.A., una empresa especializada en la venta y reparación de maquinaria para la construcción y la destrucción. Los empleados se preparan para el codiciado fin de semana, perdiendo el tiempo en pequeños rituales y rutinas, hasta que un giro inesperado los saca de su pacífica monotonía. Don Alejandro, el dueño de la compañía es encontrado muerto en una bodega de refacciones. El descubrimiento lo cambia todo: la compañía está en quiebra, los trabajadores de la tercera edad no tienen ninguna perspectiva de empleo y nadie recibirá compensación por su trabajo. En un estado de confusión, miedo y tristeza, los trabajadores deciden encerrarse en la compañía.

The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.

A young motorcyclist rides and rides in circles on his motorcycle. The more he rides, the more beautiful he gets. Is his beauty his, or does his beauty belongs to the others? Is he playing the game of the world, or is the world playing his game? Where does he ends and the world begins? Is he inside of himself or is he outside of himself? And is there such a thing as being "inside" or "outside" when you are THIS beautiful?

Portugal's countryside is everyday more isolated and lonesome. In its empty roads, a mysterious man (Miguel Damião) drives around gathering sticks, stones - and victims. But what is this sinister figure working on?