The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.

Itzhak Rabin's murder ended all efforts of peace, and with him the whole left wing of Israel died. The movie shows the last of his days as prime minister, and what led to his murder.

"Kemo gedolim" is a collection of well known Israeli, children songs sang by Ariḳ Ainshṭain and others. In between the songs embedded short skits starring Moni Moshonov and Tsevi Shisel , who embody two porters hauling a giant crate up a winding staircase and unexpectedly run into Ariḳ, a group of kids, jugglers, clowns and storytellers emerging from the crate. The two, try to do their job faithfully but occasionally they also try to sing, dance and play, which creates a variety of funny moments.