A young man is elected by a small village to be its parson. As part of his duties, he is required to marry the widow of the parson before him. This poses two problems--first, the widow is old enough to be his grandmother, and second, he is already engaged to another woman.

About loaner Master Samuel, based on a writings by Hjalmar Bergman

Erotikon is a 1920 Swedish romantic comedy film directed by Mauritz Stiller, starring Tora Teje, Karin Molander, Anders de Wahl and Lars Hanson. It is based on the 1917 play A kék róka by Ferenc Herczeg. The story revolves around an entomology professor obsessed with the sexual life of bugs, and his easygoing wife who is courted by two suitors.

"Family Traditions" - The young Baron Robert falls in love with his distant relative Helga.

'Pojken' (The Boy) has been a student in Uppsala for many, many years. Many years ago he found a baby girl outside the fraternity house during a party. 'Pojken' made sure that the girl could grow up in the countryside and has ever since sent money to the foster mother. However, the girl, Carolina, has moved back to Uppsala. She now lives with her real mother who has married the nutty professor Hambreus. Carolina does not know anything about 'Pojken' or the money he has sent. But now he has decided to reveal the truth for her.

The wife of a dull-witted miller is in her deathbed and the miller must find a new woman to marry. He is expected to marry the sister of a local forester, a refined woman he wants to love. She is gentle and motherly, though a rather austere Christian. But the miller lusts after his maidservant, Lise, a ruthless and calculating woman determined to climb up the social ladder. Lise tries to use her lower class sensuality and a bit of magic to entice the miller.

An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

Sitcom for 1920s cinemas about the Winter family.

On a farm in up-country Sweden, an enigmatic stranger comes to a conservative peasant community and seduces a farmer's wife.

A mother walks with her melancholic son on pilgrimage to seek comfort at the Madonna image, thereby trying to heal the broken heart of the son.

Travelogue from Cologne, Kevlaer and the Rhine Valley, shot during production of The Pilgrimage to Kevlaar.

During the 1200s, the catholic priest Peder has to divorce his wife when the church votes for celibacy.

A woman searches for the child she gave up at birth.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

Depicts a Swedish expedition to central Africa.

A total of 13 framed vignettes – 14 if we count the two shots of rainy streets edited together – comprise Tavlor från London, an enchanting picture gallery of London scenes in 1922. In that year the British Empire was at its territorial height, covering a quarter of the globe and thus making London truly the world’s capital. It’s something of a surprise to learn that the film was made by the great Swedish cinematographer Julius Jaenzon, shortly after he shot Victor Sjöström’s masterpiece Vem Dömer?

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.

The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.

Swedish documentary on African birds.

Fredrik Mack (Gustav Ranft) owns a glue factory in northern Norway and Ove Rolandsen (Eugen Skjønberg), a great womanizer, works for him. When Mack's beautiful daughter Elise (Lilla Bye) returns from studies, Ove immediately flirts with her.