自從她被巨大的「碰」聲響嚇醒之後，潔西卡就此無法入眠。她來到波哥大探訪生病的姊姊時，結識了當地一個考古學家艾格妮絲，而她正在研究一個地底隧道挖掘出來的人類遺跡。 當潔西卡去遺跡地點與艾格妮絲會面時，巧遇小城附近的漁夫赫曼，他們在河邊分享了彼此的記憶，當天色暗去時潔西卡恍如從夢中看到了真相。

本片獲得2010坎城最佳影片金棕櫚獎，堪稱泰國影史重要里程碑。導演阿比查邦韋拉斯塔古以詩意的美學，一層層深刻辯證生死的奧秘。 故事開始於發現自己罹患急性腎功能不全的波米叔叔，以輕鬆的心態面臨死亡的他，決定返回故鄉...。 然而，怪異的事發生了，就在某個夜晚，他清楚看見亡妻與失蹤兒子的鬼魂。因為是自己家人，他也就平心靜氣地與妻子鬼魂一同用晚餐。而失蹤的兒子，則化為紅眼猩猩精靈的外貌，前來探望。整個屋子的時間，在一片和平中慢慢流逝，彷彿前往極樂世界的澹定之路，別無他求…。 但是，波米叔叔仍希望找到罹病的原因，故偕同家人深入森林，探勘那股靈界的神秘領域…。一種莫名力量來到他們身邊，並牽引其前至山丘頂端一個洞窟。 透過種種線索和直覺，波米確信這裡是他第一世的出生地。就在幾千年前，有著一個因半面殘缺而終日感傷的可憐公主，在這裡獻身給湖中一尾魚。波米叔叔認為這個悲傷公主，亦是他的某一世…。 《波米叔叔的前世今生》以美不勝收的電影鏡頭，詮釋靈異與死亡議題，更透露出對病痛、人道、乃至大自然的關懷。導演發跡以來，每部電影均於國際影展獲得不小注目，來日成就備受關注。

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

本片根據導演自己的童年回憶拍攝，他的父母都是醫生。一位女醫生在鄉下醫院裡爲前來求診的村民和和尚看病，她和一個蘭花養殖場的主人熱戀，同時，在一間城市醫院裡執業的一名醫生愛上了她，而在他和他之間，卻發生了一段不尋常的情感交流。導演仍以長鏡頭表現人物細膩的情感，片中不時出現一些幽默的小人物，譬如牙醫兼職做歌星，求藥的老和尚亦爲他人施藥，年輕的和尚一心想做唱片騎師等。

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Min is an illegal Burmese immigrant living in Thailand who has contracted a mysterious painful rash covering his upper body. His girlfriend, Roong, and a middle-aged woman, Orn, take him to see a doctor. Min pretends that he cannot speak because he is not fluent in Thai and speaking would reveal him to be an illegal immigrant.

An empress commissions a painting of herself from a French outsider in hopes of stirring her husband's interest in this lavish period piece. The Lady in the Portrait is a period yarn evoking the unique rapport between a French missionary and the Manchurian Empress whose portrait he's ordered to paint.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.

Between Bali, where Ioanis Nuguet lived and found refuge after the sudden death of his father in a diving accident, and Provence, where he grew up and where his mother lived before she, too, died of cancer, the director weaves together fragments of his family history: a mosaic of places and impressions where life and death, beauty and pain, love and loss are intimately intertwined.

Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic to get to Europe. Will life be easier there or not?

«Melvil» is the name of a character who manoeuvres between cinema and reality, searching for a family, a place to take over, a role to play.

“Le Pont du Trieur”, co-written by de Meaux and Philippe Parreno, with an original score by Dave Stewart, is set in Pamir, a region situated in the highest part of Tajikistan, at the border between Afghanistan and China. This is a strategic zone controlled by various armies in the midst of a region that awaits reconstruction. The film stems from the simple question of how to tell the story of a country of which the West is deprived of images. Both fiction and documentary, it is about reality and the means of telling it.

A nature-hating aesthete, Jean des Esseintes attempts to furnish and decorate a country home where he will be able to live without ever again having to deal with the outside world.

Atomic Park is a place in the White Sands desert (New Mexico), not far away from Trinity Site, where the first atom bomb exploded in 1945. This national park provides an ambivalent landscape, as well suited for a picnic as for ballistic tests. A white desert, like a natural exhibition hall every movement can provoke diverse interpretations. Like a faint echo we hear Marilyn Monroe's desperate monologue and accusation about man's violence from The Misfits (1961). - Torino Film Festival