Dovzhenko and Solntseva's documentary about the Bukovina region.

About the life and heroic death of the old Bolshevik-Lugansk resident, participant in the civil war, Aleksandr Yakovlevich Parkhomenko. In 1918, capturing Ukraine, the German occupiers sought to use the Haidamaks, the White Guards and the Greens in their struggle. By order of Voroshilov, Aleksandr Parkhomenko from Lugansk arrives in Tsaritsyn. At the same time, the Germans launched an active offensive. The "red" battalions are poorly armed, however, Parkhomenko manages to raise them to the attack and put the enemy to flight.

This literary adaptation was one of only two films made during World War II on the subject of the Civil War following the Bolshevik Revolution, as attention by filmmakers and viewers shifted away from past history and toward the current conflict.

The film tells about the heroic struggle of Ukrainian farmers-partisans with nazi invaders during the Great Patriotic war.

The German conquerors are above nothing, not even the slaughter of small children, to break the spirit of their Soviet captives. Suffering more than most is Olga (Nataliya Uzhviy), a Soviet partisan who returns to the village to bear her child, only to endure the cruelest of arbitrary tortures at the hands of the Nazis. Eventually, the villagers rise up against their oppressors-but unexpectedly do not wipe them out, electing instead to force the surviving Nazis to stand trial for their atrocities in a postwar "people's court." (It is also implied that those who collaborated with the Germans will be dealt with in the same evenhanded fashion).

The Vityaz sailing corvette, whose team has to endure severe trials, goes on a flight. Relations between the sailors and the stupid and soulless baron von Berg replacing the senior officer did not develop. By his behavior, he causes the hatred of the whole crew, which develops into a riot when he gives the order to drown the darling of the whole team - a little puppy. All this, as well as a storm in the Pacific Ocean and other dangerous adventures, rally people even more and make them even stronger and more courageous.

Russian filmmaker Mark Donskoi, of "The Gorky Trilogy" fame, was responsible for the postwar Soviet drama The Taras Family (originally Nepokorenniye, and also released as Unvanquished and Unconquered). A semi-sequel to Donskoi's Raduga (1944), the story is set in Nazi-occupied Kiev. The drama focusses on the travails of a typical Soviet family and on the efforts by the Germans to force the reopening of a local munitions factory. The film is at its most grimly effective in a long sequence wherein the Nazis conduct a search for Jewish escapees, culminating in a horribly graphic re-creation of the slaughter of the Jews at Babi Yar. While Donskoi was critically lambasted for his cinematic "sloppyiness" during this sequence (hand-held camera, rapid cuts etc.), it can now be seen that he was attempting a realistic, documentarylike interpretation of this infamous Nazi atrocity.

At the height of the season, the famous football player leaves his team: he is a motorcycle designer and his presence at the factory is necessary. However, he does not give up football, but becomes the center of attack of the city team. His goalkeeper friend stubbornly regards the hero’s departure as a betrayal ...

Captain Ratanov is working on de-mining the port of Odessa after WWII.

On April 1944, Joseph Stalin orders the Red Army to liberate the Crimea from the German occupiers. The Wehrmacht's local commanders beg Hitler to allow them to retreat from the vulnerable position, but he refuses. After a fierce battle, the Soviet forces destroy the German and Romanian units defending the peninsula and retake Sevastopol.

The war is over. The Red Army soldier Pyotr tries to find himself in a peaceful life. He takes the place of an accountant, and long-time friend Nazar, who has already grown to the post of the head of a collective farm, helps him in this. Together they achieve high performance indicators of their wards, skillfully solving controversial issues and emerging from confused situations.

Growing up in a Ukrainian peasant family, knowing all hardships of serf life, young artist and poet Taras Shevchenko in the years of study clearly identifies the meaning of true art, which is to serve the interests of the people. The poems of Shevchenko are imbued with love for the common people. Fiery freedom-loving creativity of Taras Shevchenko is known throughout Russia. Nicholas I exiles the poet to the distant Caspian fort where he is to serve as an ordinary soldier and is banned from writing or drawing. In the poet's difficult days he has the support of Ukrainian soldier Skobelev, Polish revolutionary Sierakowski, captain Kosarev and the commandant of the fortress, Uskov. For the sake of his release Chernyshevsky and Dobrolyubov are hard at work. And so, the sick and aged Shevchenko is finally free. Together with Chernyshevsky and Dobrolyubov, he dreams of a bright future of the motherland, when the Russian and Ukrainian peoples throw off the chains of slavery.

Saved by Russian sailors black boy turned out to be the smart and kind nipper.

Soviet musical film-concert directed by Boris Barnet. Filmed in 1952 at the Kiev Film Studio.

Group of youngsters find a sunken sailboat used by guerrillas during WWII, raise it, repair it, and sail out to sea for adventure.

The main film character, an ordinary peasant Martyn Borylya, decided to get a noble order. Having chosen a little and primitive aim, in the chase of the artificial values, he loses everything.

Zaporozhets za Dunayem (Ukrainian: Запорожець за Дунаєм, translated as A Zaporozhian (Cossack) Beyond the Danube, also referred to as Cossacks in Exile) is a Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.

An adaptation of a fairy tale by Moldovan writer Emilian Bukov.

Marina's Destiny (Russian: Судьба Марины, Sudba Mariny) is a 1953 Soviet drama film directed by Viktor Ivchenko. It was entered into the 1954 Cannes Film Festival.