为了满足自己不断膨胀的虚荣心，年轻的阿莱克桑达（Nina Ivanisin 饰）走上了出卖肉体换取金钱的道路，一次交易中，阿莱克桑达那年迈的客户突发心脏病去世了，从此，阿莱克桑达便成为了报纸和新闻里身份神秘的“斯洛文尼亚女郎”……
在南斯拉夫与阿尔巴尼亚边境的一间哨所里，帕西科中尉（Emir Hadzihafizbegovic 饰）过着醉生梦死、百无聊赖的日子。一次极度压抑的风流快活之后，她突然感到下体一阵刺痛。经连队中唯一当过医生的士兵西尼撒（Toni Gojanovic 饰）检查得知，帕西科不幸感染了梅毒，而治疗大概需要三周左右。为了不让妻子知晓，愚蠢的帕西科竟然下达一条荒唐的命令。他声称阿尔巴尼亚企图入侵南斯拉夫，全连进入战备状态，一个人都不准离开。
A small group of extreme Albanian nationalists are hunted by Yugoslav security services.
Due to misunderstanding and hard life, a man divorces his wife and leaves the city. He comes to a new environment, meeting new people and new wife. Crucified between two worlds, he does everything to bring her two sons on the right track, and getting on with his own life. Lost in that space, powerless to change things significantly, he commits murder.
The movie is based on the true story about a group of children, barely teenagers, who joined Yugoslav Partizans after losing their families in WW2. At first, Partizans want to get rid of them, but later they are joining combat ranks. Among them, Bosko Buha would become a legend because of his skill in destroying enemy bunkers.
The manager of a whorehouse is in love with a young woman who works as a maid, there. He believes that his feelings are reciprocated, but the woman chooses instead to marry a rich man who has also been courting her. Punctuating the story of this romance are a magician's show, and an earthquake.
A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.
斯洛文尼亚的一部禁片，讲述了一个体育教练的妻子和一个年轻男运动员之间的不伦之恋。
做爱，不要作战。这是第一部都市题材的斯洛文尼亚电影，也是南斯拉夫共和国(SFRY)的首部情色片，1971年以后被禁直到1982年。
Story about a group of eccentric Dadaist artists in a small Serbian town in the 1920s.
The story of a forced march of the first proletarian shock brigade during World War II.
In Autumn of 1941, the German army, determined to put down a Communist-led uprising in Serbia, is conducting a policy of killing 100 hostages for any German soldier killed. The city of Kraljevo is the site of one of those massacres, portrayed in this movie.
The first days of war in Ljubljana. The young hero Niko experiences the bloody and violent transition from childhood to manhood. Based on the novel by Beno Zupancic.
Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...
WWII - Slovenia under Italian fascist occupation. Two friends separated by a woman they both loved, and then by war as well: one of them joins partisans, the other Italian occupying forces.
Los Angeles in 1935. Fritz Lang receives in his hotel apartment the young film amateur Willy, who wants to prepare an interview with him. At a certain moment Lang starts relating how, as an army officer in the First World War, he spent some time in the house of the lawyer Karol Gatnik in a small town in the northeast of Slovenia. Lang makes friends with Gatnik and gets aquainted with all members of his family. When Lang finds out that Gatnik is a passionate film amateur and that he also possesses his own camera, they make a film together. This is probably Lang’s first contact with cinematography. Late at night Lang looks at the photographs in Los Angeles and revives in his spirit the imaginary meeting with his friend Gatnik.
Working class of a small town near Ljubljana hope that the authorities will choose their town to build a new factory there, which proves to be wrong. The film is a critical observation of the lack of prospect of young people who live in the province.
An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.
The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.
Two boys are on an unplanned vacation by foot. They meet a girl who has nothing but a bikini under her coat. She says her cloths were stolen while she was bathing. She joins their company. They steel cloths for her. There is a little kissing with both but nothing that could make the other jealous. During most of the movie they enjoy minor pleasures. But occasionally when the girl is alone she has attacks of very painful emotions. In the end it turns out that she is a former child-prisoner of a German KZ-lager, who had run away from a mental hospital in bikini and coat. Some of the staff were searching for her. But when she sees them she commits suicide.
An ex-soldier named Slobodan Antic, referred to by a friend as one of the last idealists, finds himself losing control over his own life when a man identical to him starts following him around, claiming to be a friend but behaving suspiciously. Before long his dealings with this doppelganger begin to cost him and his professional and romantic life grow more and more confused.