A cautionary film about what were thought to be rural superstitions and practices in Puerto Rico.
The location of the dividing line between two farms causes friction between two families.
The exploitation of fisherman in Fajardo, Puerto Rico and how the laborers reached their economic independence through operative alliances.
It tells the story of a slave rebellion on a sugar plantation in the days leading up to the official abolition of slavery on the island on March 22, 1873.
Prize winner, Venice Festival 1956. The DivEdCo’s most important attempt to depict women’s rights in the context of modernization processes in Puerto Rico. Modesta leads a group of women in Barrio Sonadora, Guaynabo, in a strike against their husbands to demand their rights in a domestic context.
The story revolves around the sickness of Dona Julia’s daughter Maria. After a bad experience at the local hospital, she seeks cures through non-traditional medical care. When the potions that she administers fail to cure her daughter, she is persuaded to return the girl to the hospital where she is properly diagnosed and cured.
Illustrates the dilemma of a sugarcane worker who has a child out of wedlock without his wife’s knowledge.
A group of kids in a poverty-stricken Puerto Rican rural town need money to purchase baseball uniforms for little league.
Biographical documentary on the life and work of Pedro Flores, internationally renowned Puerto Rican musician.
It presents the problem of physically disability through a young crippled and the attitudes of the community towards them.
Educates communities about tuberculosis prevention and treatment.
A dramatization of the way a group of rural people resolve their issues with an authoritarian town leader.
A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.
In the community of Vega Alta, Puerto Rico, the main character, played by the esteemed comedian José Miguel Agrelot, buys a washing machine for his wife. However, the town has no electrical power. The movie’s depiction of the jíbaro as naive and comical created a rift among the DivEdCo personnel, especially its community organizers. It was censored by the government and shelved for many years.
Aimed to educate the people, and especially those who lived in the most vulnerable areas, about important safety measures to be taken before, during, and after a storm. The film takes a decidedly modern, scientific approach in its discussion of hurricanes, and it goes to great lengths to dispel popular lore that many of the island’s under-educated inhabitants still relied on for weather predictions.
A man believes all the advertising he hears.
An artistic short on the floral beauty of Puerto Rico set to folk music.
A melodramatic romance that tells the story of a community that shuns the arrival of a new neighbor.
One of the DivEdCo's films that best depicts the history and evolution of another genre of popular music from the coasts and of African origin: the plena. It presents sequences of interpreters of those rhythms in Ponce, in the dances of the coastal areas, and the fusion of popular and refined genres in presentations by Ballets de San Juan of the ballet-plena by Amaury Veray, "Cuando las mujeres" ("When the Women").
Adapted from Mexico's "The Forgotten Village". It deals with the fight that develops from the superstitious and ignorant interpretation of a problem and its real, scientific solution.