Rosario Tijeras has been abused by men all her life, initially by her stepfather. Years later, she works as a paid assassin, seducing men and killing them when they least expect it. She meets Emilio, a wealthy womanizer, and his best friend, Antonio, at a nightclub, and starts an affair with Emilio despite Antonio's growing feelings for her. But circumstances bring her closer to Antonio, until her past catches up with her in a devastating way.
Valencia, Spain. On a rainy morning, six armed men in disguise assault a bank. But what seemed like an easy heist, quickly goes wrong with nothing unfolding as planned, and mistrust quickly builds between the two leaders of the gang.
Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.
曾榮獲諾貝爾文學獎的作家丹尼爾曼多巴尼，得獎後一直沒再寫作，默默旅歐數十年。直到一封來自故鄉市長的邀請信，他重回出生成長的阿根廷小鎮，受頒「傑出公民」勳章。鄉親們熱烈迎接，爭相簽名合影，本該是衣錦還鄉、回饋故里的溫情戲，卻成了荒腔走板的大鬧劇。廣播節目、逢場作戲的繪畫評選、投懷送抱的陌生少女，每個人都想要沾諾貝爾之光，而隨著老朋友、舊情人連番出現，年輕離鄉時未解的心結再次浮現，一切開始亂調失控⋯⋯。時移事往，時間並沒有沖淡一切，反帶來更多考驗。
The story of Diego, a young and successful photographer that lives in the glamorous world of fashion, shallowness and excess. A tragic accident turns his world around; his partner is now in a coma. Unexpectedly, and right at this terrible time, Diego must take care of his son, Armando. Now, both of them have to adapt to each other; Armando to the unknown, homosexual world of his father, and Diego to the closed attitude of his teenage son.
十七歲的拉拉（伊涅絲·埃爾弗隆Inés Efron 飾）是一位養尊處優的大小姐，涉世未深的她情竇初開，竟然愛上了朝夕相處的女僕蓋伊（瑪瑞拉·薇塔勒Mariela Vitale 飾），兩個女人利用各種機會存夠了細軟，決定雙宿雙飛。 就在這個節骨眼上，拉拉的母親卻搶先了拉拉一步和情人私奔了，拉拉的父親深感遭到背叛，感情受挫的他在抑鬱之中強暴了蓋伊。得知此事，拉拉傷心欲絕，憤怒之中，她對父親痛下殺手，之後，蓋伊離開了，拉拉亦動身前往蓋伊的故鄉，她們會經歷怎樣的旅程呢？到達目的地後，拉拉意外的得知了蓋伊從未提起的過去，她不僅有過一個孩子，這個孩子還擁有著神奇的超能力。
阿根廷女導演茱莉亞．索羅門諾芙（Julia Solomonof）執導的《臉紅的夏日（El Último Verano de la Boyita／The Last Summer of the Boyita）》是一部性別電影，是一部成長電影，做為2010年台灣女性影展的開幕片，一點都不教人臉紅，反而像是夏日晚風輕輕拂過，讓人願意陪上一聲歎息。
身體的密碼是《臉紅的夏日》最重要的論述，但是導演卻把第一場戲交給了馬的身體。看似無足輕重的主角身份介紹，卻已經把全片關鍵的威權與身體主題全都點明了出來。
A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.
In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.
Revolves around a love triangle that later evolves into a love square involving three Cubans and a Soviet soldier. Set in a fictitious rural village near a Soviet military base in central Cuba, their amorous adventures, or misadventures, unravel against the backdrop of the 1962 Cuban missile crisis.
After his wife's death, a vallenato singer from Majagual, Sucre, decides to quit music and return his allegedly cursed accordion to his master. He is joined by Fermín Morales, a teenage boy who admires him and wishes to follow his footsteps. Together, they start a journey throughout several towns in Northern Colombia to Taroa, in La Guajira desert, where the singer's master supposedly lives.
This is the story of two teenage women affected by violence and the painful journey to become full and liberated. One, Maruja is a young rape victim. The other Carmen Luisa is beaten by violence within her own family.
On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?
Summer is coming to Nicaragua and Maycol and Bryan will start to learn their families' trade, shark hunting. In a place where traditional trades disappear in favor of drug trafficking, these two boy choose their future. A coming of age film set in the forgotten Caribbean coast of Nicaragua.