בדירה מודרנית, אב מקריא לבנו סיפור אגדה על רובין הוד כאשר המציאות מפריעה להם ומתדפקת על הדלת בדמותו של שכן שזקוק לטובה. הוא טוען שבבית השייך למשפחתו אי-שם בכפר, קבור בחצר אוצר עתיק כזה שייחלץ אותו מצרה כלכלית אליה נקלע. הבעיה שאין לו אפילו די כסף כדי לשלם עבור יום עבודה של מגלה מתכות. הוא פונה לשכנו בבקשת הלוואה והשניים מסכימים להתחלק בשלל שנשמע דמיוני למדי, ואז להתחשבן על הוצאות איתורו. זוהי גם נקודת המוצא ומערך יחסי הכוחות הנפרש בראשית הסרט, העוקב אחרי שני הטיפוסים אליהם מצטרף אדם שלישי, בעל גלאי המתכות המצליח לגרום לדמויות לאי-נוחות, מכל מיני סיבות.
הסרט שזכה במקום הראשון בפסטיבל סרטי אמריקה הלטינית, הסרט שזכה בתואר "הסרט הלטינו האמריקאי הטוב ביותר" בפסטיבל הסרטים העולמי 2008 במונטריאול . מגרה וסקסי, סרטו האחרון של הבמאי והמפיק, אליזאו סובילה חוקר את אפשרויות הדמיונות וההתעוררויות המיניות הטנטריות (עפ"י כתבי הדתות: בודהא והינדו) . הסרט המעמיק הזה מתעמק במיסטיקה וברוחניות . כאשר אלוי (ליאנדרו סטיבלמן) בן ה-19 מהלך תוך שינה ונופל דרך תקרתה של אשה יפה, אלוירה(אנטונלה קוסטה), הוא מגלה את הכוחות הטנטריים והתראפיים של הקמא-סוטרה שהיא מומחית בהם.
Stranded along a sublime river fjord in northern Portugal, an ornithologist is subjected to a series of brutal and erotic Stations-of-the-Cross-style tests.
A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...
A young gay man, identified as a writer, encounters a local policeman, who arrests him for public cruising in a park. The policeman is more than professionally curious about the young man, who seems to have the cop's number and suddenly kisses him.
BB works as a political cartoonist at a liberal newspaper, his more outrageous efforts duly appreciated but not necessarily published by his boss. He's in love with the boss’ lovely, talented computer-scientist daughter, Kesso. But his choice meets with stiff opposition from his strict Muslim father Karamako, who is the chief of his village as well as imam of Conakry, especially when Kesso becomes pregnant with BB’s child.
Two boys (Tamir & Amine) awake one morning to find that their father has abandoned their family. Shocked, they begin to misbehave. While surreptitiously watching a movie, they think they see their father speaking to them and steal the film to examine the frames. Their mother (Achta) eventually despairs and sends them to Koranic school. Unhappy, they plan their escape until the eldest boy falls in love with a deaf girl (Khalil).
In rural Afghanistan, people are storytellers who make up and tell each other tales of mystery and imagination to explain the world in which they live. The shepherd children own the mountains and, although no adults are around, they know the rules; they know that boys and girls are not allowed to be together. The boys practice with their slings to fight wolves. The girls smoke secretly and play at getting married, dreaming of finding a husband soon. They gossip about Sediqa; she’s eleven years old and an outsider. The girls think she is cursed. Qodrat, also eleven years old, becomes the subject of gossip when his mother remarries an old man with two wives. Qodrat roams alone in the most isolated parts of the mountains, where he meets Sediqa and they become friends.
Sofia, a young girl in Mozambique who is studying to be a doctor, finds that her professor wants more from her than hard work. An unwillingness to compromise her values and potentially her health, may cost her a place there.
Third and final part of collaborative project Brise Glace. Directed by Raúl Ruíz.
Documentary about the effects of market economy and globalization on director Raoul Peck's homeland, Haiti.
What does the people in the street think of nuclear physics today? These men and women do not walk far from the imposing Cité des Sciences et de l'Industrie (Porte de la Villette, Paris). They have more nuanced ideas than one might imagine, just like those of scientists. This rapprochement between everyone is beneficial.
Second part of collaborative project Brise-Glace. Directed by Titte Törnroth.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.