An upper-middle-class couple's life is destroyed when their only child is kidnapped and killed. Obsessed with revenge, the couple seizes an opportunity to kidnap the killer.
From his discovery by a priest while serving time at the Missouri State Penitentiary to the infamous 'Phantom Punch' by Cassius Clay which effectively ended his career, the movie spans the years from 1950 to Liston's mysterious and untimely death in 1971.
The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. We are led by Weinraub and his friend Ruso on a day that begins with quiet city streets, but ends with death, destruction and devastation of both body and mind. Various scenes are awash in the surreal, as Weinraub's head hangs out over a rescue helicopter's open door, watching with tranquil desperation as the earth passes beneath, the overpowering whir of the blades creating a hypnotic state. It is not a traditional blood, guts and glory film. There are no men in battle, only the rescue crew trying to pick up the broken pieces.
One of the great masterpieces of world literature comes to vivid life in an elaborate production from acclaimed theater and film innovator Peter Brook. This collection of ancient Sanskrit stories (composed into the longest book ever written) comprises a series of enlightened fables at the heart of countless beliefs, legends, and teachings; indeed, its very title means "the great story of mankind." Brook and writer Jean-Claude Carriere worked for eight years to develop this epic concerning two sides of a royal family, the Pandavas and the Kauravas, whose struggle leads to a fascinating voyage of emotions, passion and vision of glory. Briefly, the Mahabharata is a tale of two rival sets of brothers, cousins to eachother, each born into royalty and with divinely guided paths in life. The result, however, is a great war, death, destruction - a vast epic.
Set in France during the struggle for Algerian independence, Messaoud's mother is terminally ill and his father, needing to work long hours in the factory, can't look after him, so decides to put him and his older brother Abdel in foster care. Sent to the countryside, Abdel has to work on a farm, but Messaoud is taken in by a childless woman, who conceals his Arab origins from her fiercely Gaullist ex-army husband. Re-named Michel/Michou, and with his hair comically dyed blond, the young boy quickly steals the hearts of both foster-parents, and eventually is instrumental in saving their troubled marriage.
In May 1948, shortly before the creation of the State of Israel, hundreds of immigrants from across Europe arrive in Palestine--only to risk arrest by British troops.
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
Street is a 1995 Indian Malayalam film, directed by P. Anil and produced by Koshi and Palamuttam Majeed. The film stars Babu Antony, Geetha, Baiju and Vikram in lead roles. The film had musical score by Tomin Thachankari.
The year 2000 approaches in Jerusalem's Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva's rabbi, who is Meir's father, wants Meir to divorce Rivka: "a barren woman is no woman." Rivka's sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka's marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts' desires within this patriarchal world? If not, have they any other options?
Sylvette, a sassy waitress, Sandro, a macho guy, Sophie, a shy bourgeoisie, and Susan, an American actress, do not know each other and do not have much in common. However, they all have the same father, a scammer named Julius.
Pratima (Kanan Devi), a nurse, is persuaded by Jayant (Ganguly) to pretend to be his wife for a day, in order to convince his father Dr Dindayal (Choudhury) of his need for money. Dr Dindayal likes his new daughter-in-law very much and wants her to accompany him to the country where he runs a charitable hospital in the name of his late wife. There Dr Bhatt, Dindayal’s rival, finds out by hiring detectives that Pratima and Jayant are not married. He uses the information to try to oust Dindayal from the hospital. The solution eventually links with Pratima’s growing sense of responsibility towards Dr Dindayal’s medical endeavours.