Macbeth story When three witches tell Macbeth that he is destined to occupy the throne of Scotland, he and his wife choose to become the instruments of their fate and to kill the first man standing in their path, the virtuous King Duncan. But to maintain his position, Macbeth must keep on killing – first Banquo, his old comrade-in-arms; then, as the atmosphere of guilt and paranoia thickens, anyone who seems to threaten his tyrant’s crown.
Double-meanings, disguises and dirty laundry abound as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the ‘Merry Wives’ quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff’s expense… The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land. Drawing influences from British 1930s fashion, music and dance, the production will celebrate women, the power and beauty of nature, and with its witty mix of verbal and physical humour, it rejoices in a tradition that reaches right down to the contemporary English sitcom. The Windsor Locals appear courtesy of Soldiers’ Arts Academy, London Bubble and Clean Break.
Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.
The Winter’s Tale is Shakespeare’s great play of the irrational and inexplicable, illustrating how uncontrollable emotions can range across gender, country, class and age. Its universe is full of monsters, gods and natural disasters with a colossal sweep that takes audiences from the stifling atmosphere of the Sicilian court to the unbuttoned joy of a Bohemian festival. Staged at the beautiful and iconic Globe Theatre in London, this new production is directed by Blanche McIntyre and stars Will Keen (The Crown, Wolf Hall) as Leontes, Priyanga Burford (W1A, Marcella) as Hermione and Annette Badland (East Enders, Father Brown) as Old Shepherd.
Learning of his father’s death, Prince Hamlet comes home to find his uncle married to his mother and installed on the Danish throne. At night, the ghost of the old king demands that Hamlet avenge his ‘foul and most unnatural murder.’ Encompassing political intrigue and sexual obsession, philosophical reflection and violent action, tragic depth and wild humour, Hamlet is a colossus in the story of the English language and the fullest expression of Shakespeare’s genius.
How long is forever? When the imprisoned Palamon and Arcite vow eternal friendship, they don’t expect that anything will come between them. But then from their cell window they see the beautiful Emilia, and their priorities take a sudden and violent turn. In this late romance, Fletcher and Shakespeare examine love in all its fluid and complex forms. Barrie Rutter, recipient of the 2003 Sam Wanamaker Award, directs his first play since stepping down as Artistic Director of Northern Broadsides. Inspired by the play’s Morris language and references, The Two Noble Kinsmen is set in pastoral ‘Merrie England’ and brought to life with original music composed by acclaimed folk musician Eliza Carthy, and dance choreographed by Ewan Wardrop.
King Lear has three daughters, but no sons. Boldly he makes a decision to divide his kingdom among his children, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid and Lear finds himself adrift, wandering homeless and destitute. As he comes to realize the false values by which he has lived, he finally encounters his own humanity.
Cross-dressing, hijinks and bittersweet hilarity as Emma Rice directs Shakespeare’s timeless, soulful and irrepressible comedy. Synopsis Twins Sebastian and Viola are shipwrecked on the coast of Illyria, separated and believing each other to be dead. Beside herself with grief, Viola disguises herself as a boy and goes into the service of the Duke Orsino. The Duke, madly in love with the Countess Olivia, sends Viola to woo on his behalf... Olivia falls in love with the cross-dressed page while Viola falls deep and fast for Orsino. Meanwhile, mischievous servants play painful pranks at each other’s expense. Heady chaos ensues as griefs, loves and deep human confusions collide, but fear not! Sweet resolution wins the day as friends, twins and lovers are reunited.
Portia, a wealthy heiress of Belmont, is forced to set her suitors a challenge. The winner will win her hand in marriage; the losers will lose her hand and much more. In Venice, the epicentre of consumption, speculation and debt, Bassanio borrows money from his friend Antonio to finance his attempt. Antonio, in turn, takes out a loan from the moneylender Shylock. The loan will be repaid when Antonio’s ships return to the city. But if the ships fail to return, and the money cannot be repaid, Antonio will give to Shylock a pound of his own flesh. And they do fail. And Shylock will have his ‘bond’.
Ruling by divine right, but himself ruled by caprice, King Richard exiles Henry Bolingbroke and seizes his father’s vast estates. While Richard is distracted by a rebellion in Ireland, Bolingbroke returns to England, intent on recovering his rightful property and, with the support of his disgruntled peers, perhaps seizing the crown itself.
Vincentio, Duke of Vienna, disgusted by the immorality in his city, announces his withdrawal from public life and leaves his deputy, the puritanical Angelo, in charge. Angelo, in his zeal for observing the letter of the law, begins a ruthless programme to stamp out sexual licence, in the course of which he condemns one Claudio to death. Surely Claudio’s virginal sister Isabella, a novice nun seeking mercy for her brother, could not awake the lust of this cold, censorious man?
A live performance of the play "Julius Caesar" by William Shakespeare. Set in ancient Rome, leading citizens Cassius and Marcus Brutus are alarmed that the power and authority Caesar is assuming may endanger the democracy of the Republic, so they conspire to assassinate the popular general. The ensuing battles and suicides extend the tragedy, establishing neither a clear-cut hero nor villain.
On a Midsummer’s night, four young lovers find themselves wrapped in the dream-like arms of an enchanted forest where sprites lurk and fairies rule.
When three witches tell Macbeth that he is destined to occupy the throne of Scotland, he and his wife choose to become the instruments of their fate and to kill the first man standing in their path, the virtuous King Duncan. But to maintain his position, Macbeth must keep on killing – first Banquo, his old comrade-in-arms; then, as the atmosphere of guilt and paranoia thickens, anyone who seems to threaten his tyrant’s crown.
Prospero, Duke of Milan, usurped and exiled by his own brother, holds sway over an enchanted island. He is comforted by his daughter Miranda and served by his spirit Ariel and his deformed slave Caliban. When Prospero raises a storm to wreck this perfidious brother and his confederates on the island, his long contemplated revenge at last seems within reach. - Shakespeare's Globe
The widowed Duchess of Malfi longs to marry her lover, the steward Antonio. But her rancorous brothers, Ferdinand and the Cardinal, are implacably opposed to the match. When their spy, Bosola, discovers that the Duchess has secretly married and carries Antonio’s child, they exact a terrible and horrific revenge.
A live performance of the tragedy "Titus Andronicus" by William Shakespeare. Set in Roman times, the play deals with the bloody revenge of Roman general Titus Andronicus for the atrocities committed against his family by Tamora, the captive queen of the Goths, and her faction. Grotesquely violent and daringly experimental, Titus was the smash hit of Shakespeare's early career, and is written with a ghoulish energy he was never to repeat elsewhere.
Cleopatra, the alluring and fascinatingly ambiguous Queen of Egypt, has bewitched the great Mark Antony, soldier, campaigner and now one of the three rulers of the Roman Empire. When Antony quarrels with his fellow leaders and throws in his lot with Cleopatra, his infatuation threatens to split the Empire in two.
Shakespeare’s most outrageous comedy, The Taming of the Shrew introduces one of theatre’s great screwball double-acts, a couple hell-bent on confusing and outwitting each other right up to the play’s equivocal and controversial conclusion.
Following the death of Henry V, celebrated for having united England and subjugated France, divisions appear at the highest levels – first between those around the infant Henry VI, later between the two great factions in English politics: the houses of Lancaster and York. Only the young Lord Talbot, locked in combat with the bewitching and enigmatic Joan of Arc, seems capable of redeeming a divided and dishonoured kingdom.