105 movies

  • Lithuanian Film Studio
  • Vilnius, Lithuania
  • LT
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Short and comical stories of plasticine people.

January 1, 1981

A documentary film about a bear's adventures.

A documentary film about childish games.

Documentary outline about conscripts, their difficult military exercises in the Soviet army.

January 1, 1969

A documentary film about Antanas Sutkus.

January 31, 2019

Edgaras and Migle are in a relationship that has Migle have the upper hand financially. Because of this, when Edgaras old friend offers the opportunity to make some money by smuggling cigarettes, Edgaras is tempted. But with a wonderful girlfriend, college around the corner, and so much that can be ruined if he and Viktoras get caught, will Edgaras go through with it?

EYES ABOVE THE CROSSES is a film about Stanislovas Jameikis who was deported in 1941 and overcame a six hundred kilometers long perilous march through Siberia.

The focus of attention in one of the earliest films by a highly prolific documentary director Edmundas Zubavicius is a veterinary clinic in Kaunas; the observation of its daily routine reveals the longing for human sympathy as if yearning for a prayer. Quite a sophisticated relation between the visual and the sound is outweighed by the junctions of poetic film language and realistic shots. They invite to contemplate the relationship between nature and man.

Glastnost and Lithuania’s eventual independence from the USSR open up the possibility of examining previously banned subjects: death, postwar resistance and – as in We Were at Our Own Field – the damage done by the Soviet occupation and the simple longing for home.

The people of Samogitian village are preparing to participate in civil protection competitions. Exercises are held in the village. The most important thing is to be prepared for an nuclear attack. All instructions are carefully executed. And it does not matter at all that the exercise looks funny for bystanders. Samogitians are also happy to be together.

December 23, 1956

The centerpiece of A. Grikevicius's film is Tomas Petreikis, the chief engineer of the machine factory in Kaunas F. Dzeržinskis. Rather than creating a regular, conjunctural narrative about the hero of socialist work that exceeds production norms, the director captures another personality of his film's hero. After work, Tom is an entertaining dancer, teacher and contest judge. "Construction and dancing? No, they don't not have any relation," T. Petreikis answers the question posed by the journalist. However, the film observes the parallels that reveal the precision of the constructor-dancer, the perfection of the goal, both by controlling the work of the machine tools and by teaching pairs of dancers to rotate on the parquet, imply another answer.

A criminal story based on the novels by O. Henry.

This film details the dismantling of the old railway Siaurukas in Lithuania and the construction of its new modern replacement. The old railway and the new railway become the symbol of the clash between the archaic rural Lithuania and Soviet industrialization. The film was often considered as an expression of the archetypes of Lithuanian character.

The main hero of this film is the city of Vilnius. Vilnius is also a metaphor for the historicity of Lithuania. However, this film is unique not only for its cinematographic historical reflections on the statehood of Lithuania; it also reveals the history of cinema, encompassing both Soviet montage techniques and the first traces of cinéma-vérité in Lithuanian cinema.

A policeman is investigating a murder in a secret research facility.

First independently made Lithuanian film. A comical adventure story about two friends, Vitukas and Saulius, who decide to escape to the sea and become brave sailors.

A story about three best friends who are always looking for adventures.

Lucky unlucky man from the little village is seeking happiness.

Robertas Verba’s first documentary film, described by film critic Živile Pipinyte as “the ‘ice-breaker’ which broke through the ice of Soviet ideology to form the peculiar stylistics of Lithuanian documentary film.” The hero of this film is the bright Lithuanian villager Anupras, whose archaic worldview becomes a symbol of the ethno-cultural Lithuanian identity that was often opposed to the identity constructed by Soviet propaganda.

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