20-годишната Мариса мрази чужденците, евреите, ченгетата и всички, които според нея са виновни за упадъка на страната й. Тя обича да провокира останалите, да пие и да се бие и твърди, че следващата й татуировка ще е с образа на Хитлер. Тя се чувства напълно у дома само в неонацистката банда, в която членува, където омразата, насилието и запоите са ежедневие. Към бандата се присъединява 14-годишната Свеня. За нея Мариса е модел за подражание, защото олицетворява всичко, което трябва да е едно момиче от подобна банда.
The everyday lives of teenagers, coming from various social backgrounds. For them, sexuality has become a substitute for love, resulting from emotional neglect.
Младият немски режисьор Якоб Лас създава втори филм, който е номиниран за наградите на немската филмова академия. Тромавият и непохватен Клеменс (Франц Роговски) е плах бездомник, когато пристига в луксозен курорт и получава разрешение да спи на матрака на масажиста в хотела, в замяна малко храна. Той започва да изучава техниките на масаж и да се опитва да си намери работа там, като се грижи за богати и възрастни клиенти. Междувременно в ресторанта на хотела, кухненската работничка Лара (Лана Купър), весело и симпатично момиче се опитва да скрие сериозният си проблем с пиенето. Лара и Клеменс се сближават, след като младият мъж я прибира мъртво пияна. Междувременно младежът страда, заради обърканата си сексуална ориентация и жената го насърчава да признае любовта си към колегата му. Приятелството между двамата става все по-силно и границите в отношенията постепенно се размиват.
A young, naive and enthusiastic theater director named Kai comes to a grim provincial town to put on Beckett's Waiting for Godot. Although the lethargic theater company shows no interest in the play, his spirit remains undaunted.Meanwhile, it is fall 1989. The world is changing and somewhere, far away in the capital, a revolution is taking place and it seems that wishes might come true. Great hopes emerge in the little town and unexpected events overtake Kai's mutating production.
Despite having lived in the East German countryside for several months, teenager Lars and his dad, Henrik, are still treated as unwelcome guests. Henrik is building a “marriage barn,” a proposed bed-and-breakfast for newlywed Berliners.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
"Frontalwatte" is like running against a hard wall and falling down softly. Franz, Adrian and Anastasia stumble through a pointless world. They kill time by viewing apartments, jaw operations, incest and poetry slams. Their search for identity becomes a search for the best fitting role.
A 16 years old boy from Germany runs away from a boring birthday party and follows a few graffiti artists to the station. When police arrives he escapes in a train and gets over the border to the Czech Republic. There he meets a wild Czech girl and falls in love with her. Together they try to go to Berlin without having money. A fine road movie about two young people trying to find their way.
It is about a girl's everyday life at the end of her school days, trying to find a way into society and her own life.
Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.
A fly lands on a table to drink some spilled liquid; spotting an open children's book, it flies over and tries to emulate the picture of an elephant balancing on its trunk.
Mystery short by Christopher Lenke and and Philip Nauck.
One afternoon Dan is brutally jumped and accosted by a Gang in his neighborhood. Angel, the leader of Dans crew demands that he murder his punisher and thus earn his official "membership" into the crew: a teardrop tattoo under his eye.
Also known as "Der Wechselbalg." Two parents traveling through the woods mistakenly drop their young baby. By the time they find the child, they are shocked to see it has been replaced with a young troll. Animated short based on the fairy tale by Selma Lagerlöf.
Somewhere in a war zone. Three young stationed soldiers try to distract themselves from everyday wartime existence. One of them takes notice of a local girl. The comrades follow her.
A young financial auditor, promoted to his first serious position, soon finds himself following in the fatal footsteps of his predecessor.
Film director Andreas Kleinert belongs to the last generation of filmmakers that emerged in the former German Democratic Republic (GDR). Born in 1962, Kleinert's attitudes were shaped by the late 1970s, and particularly by the 1980s—a period of increasing disillusionment. He wrote his thesis on “Levels of Consciousness in the Film Poetry of Andrei Tarkovsky,” the late Soviet film director who made a name for himself in the pre-perestroika years with bleak films. As Kleinert completed his film academy studies with his graduation film, Leb' wohl, Joseph ( Farewell, Joseph, 1989), the Berlin Wall fell, heralding the collapse of the GDR. Kleinert won the main prize for his diploma feature film, Leb' wohl, Joseph, at the Munich International Festival for Film Schools. The next year, this remarkable black-and-white Kafkaesque film of cryptic symbols and enigmatic metaphors was invited to compete at Locarno.
Susanne and Dieter are 20 years old. They have just got a Baby. Family life could start now, but Dieter has to join the army. The film accompanies him the first six weeks, shows doubts, insights and hardly acceptable conditions. A little realistic view into the National People's Army shortly before the fall of the wall.
A shimmering summer story set in a summer house on the Baltic coast. Sixteen-year-old Suse feels like a gooseberry next to her young mother and her new boyfriend and begins to shut herself away more and more. The situation comes to a head when, feeling thoroughly depressed, she returns to their holiday home one night where she is obliged to listen to her mother and Erik cavorting loudly in the bedroom. Then Suse comes up with an idea as to how to turn things around in her favour…