This turn-of-the-century tragedy chronicles the sorrowful travails of a woman who endures a series of devastating losses.
A man is haunted by a murder he's committed.
Author writes about his experiences sailing at sea, struggles to get his work published.
After Michael Carter's fiancée commits suicide, Michael vows to seek revenge on his wealthy family, who sabotaged their marriage. He drives across the country angrily, and lands up at a saloon, where he is shot by an Indian, Pete. Pete's girlfriend, Tonita nurses Michael's wound and falls in love with him. Michael realizes this, proposes marriage to Tonita - a perfect revenge for his prejudice family. They marry and he takes her to New York, in full Indian dress hoping to embarrass the family.
Martha Jane, nazywana Małą Panną Marker (Shirley Temple) zostaje u bukmachera Sorrowful Jonesa jako część przegranego zakładu, który obstawił jej ojciec w wyścigach konnych. Początkowo Sorrowful i jego kumple nie chcieli zaakceptować warunków zakładu, bo na co mogła im się przydać w interesach ta mała dziewczynka. Z czasem jednak jej zabawne usposobienie i urok osobisty przełamują wszelkie bariery i cyniczne podejście mężczyzn.
After a stormy six year marriage, Barnaby Powers divorces his wife Richmiel. She returns home, taking their young son Oliver with her. Barnaby follows her, to ask for custody of the boy, but meets and falls in love with Richmiel's pretty and sensitive cousin Ledda. Complications ensue.
Ottilie Van Zandt is forced to wed her cousin, despite her love for Richard Wayne, the gardener's son. Richard leaves, vowing to return a wealthy man and eligible suitor for her. He returns to find she has already married and, in turn, marries another girl on impulse. Two generations later, the grandchildren of Ottilie and Richard, who both have inherited their names as well, meet and develop a close friendship that culminates in the romance that their grandparents began but could not consummate years before.
Gilda is a crook who wants to go straight, but her pals keep holding her back. She moves to Hollywood to begin anew but the old gang follows behind. Can she stop them from ruining her new life?
Hugh Carver is an athletic star and a freshman at Prescott College. He falls in love with Cynthia Day, a popular girl who loves to party, and finds that it's impossible to please her and still keep up with his studies and athletic training. Soon the two face some difficult decisions.
Armand and Marie survive in the streets until charitable (and wealthy) scientist Pierre Marcel takes Armand in after a botched robbery. Marie, a fiery Apache, swears revenge on Marcel for taking her lover away from her.
A young singer hopes to become a success on Broadway.
This silent romantic melodrama is believed to be lost.
Lola Daintry (MacDonald) is an actress who's mad at the world, and especially ministers, one of whom -- her father -- was so cruel that he drove her mother out of the house. When Bully Haynes (Melbourne MacDonald) wants her help in showing up a group of South Seas missionaries, she's more than happy to assist. But Lola doesn't realize she's being used so that Haynes can gain control over the copra trade from his rival, Cyrus Flint (Robert Ellis).
Marjorie Stockton is a fickle flapper who has loads of suitors. She won't give any of them the time of day, however, until she meets her match in the equally fickle Monte Covington.
A Braodway playwright wants to keep on writing plays for his wife to star in, but all she wants is to retire to Connecticut and, following a few 'worlds-apart" discussion of the issue, they get a divorce. The actress marries a banker in a fit of pique only to quickly discover the divorce was not valid. She communicates this information to her not-yet ex-husband and he, to prevent consummation of the invalid marriage rescues her by sending plumbers, waiters, porters, chambermaids, bellhops, desk clerks, exterminators and, finally, a crowd of roistering conventioneers to the suite to ensure no bedtime story would take place there
This is not a Clara Bow vehicle, and yet it is clearly the aspect/asset of Clara Bow which elevates a fairly serious melodrama to a timeless and profound social statement. Opening the film on death row where the handsome youth awaits the chair, a stirring test of the legal system evolves after two elite types conspire to expose its inadequacies. Elite, jaded society lawyer Gordon Harrington fabricates a murder, implicating an entirely "hired" fall-guy, one Dan O'Connor, while the bored playboy-type hides away on a yacht until the points are proven and the legal system has been disgraced. Naturally, something goes wrong, the playboy really turns up murdered, and O'Connor is now the accused, imprisoned murderer scheduled to be hanged.
A convict marries the warder's daughter after his escape and she eventually persuades him to finish his sentence.
A European princess arrives in New York City to secure a much-needed loan for her country. She contracts the mumps, and an actress who looks exactly like her is hired to impersonate her.
Dwight Stanford and his wife, Penny, are a pair of spendthrifts who can't hold on to money, dependent for support on Dwight's rich uncle, who sends them a monthly allowance. Conrad Norris, Dwight's cousin, disapproves of Dwight and Penny, and resents his uncle's generosity. The uncle is the victim of a hit-and-run accident and, there being no will, Conrad, as next of kin, inherits. Switch, the uncle's lawyer, tells Dwight he is shutout with no hope of appeal. Dwight starts writing mystery novels about a fictional detective named Steven Knight, which become instant hits and the money pours in.