Making a documentary on Le Corbusier is not easy, because he is undoubtedly the architect most familiar to the general public but also the most unknown. If most people know his great achievements, such as the Cité radieuse of Marseille, the pavilions of the Cité universitaire de Paris or the Tourettes convent, many are unaware of his works in Moscow, Rio de Janeiro or Chandigarh. Roy Oppenheim pays a vibrant tribute to Corbusier, dismissing the criticisms and darker facets of the character. It presents the career of this pioneering architect, as well as his thinking, the essential principle of which was aimed at the development of human beings and the balance of society. Light, space and greenery are integrated into his large futuristic cities, because according to him the eyes of the inhabitants should be drawn into the distance and not into their neighbor's bathroom.

This film by Yannick Bacher tells the passion of brothers Frédéric and François Nicole for climbing. Through the sites of Cuzzago (Italy), Zurich, Murg, Pelzli, Montreux, St-Loup, Yverdon-les-Bains, Saint-Triphon or Erde, we learn to know these 2 living legends better, their life choices, their philosophy... United by blood ties, those of fraternity but also by the same passion, that of the rock, of climbing. Fred made climbing history by pushing back the difficulty ladder in the discipline of bouldering. François him, founded a family and carried out a parallel professional career. But both have never stopped exploring, traveling and climbing.

Between 2002 and 2010, more than 10,000 civilians were killed by the Colombian army and thrown into mass graves—with the aim of demonstrating the success of the offensive against the FARC. Felipe Monroy offers a voice to the families of the victims of this unpunished state crime, thereby creating a heartrending film that stands against the worst crime of all: oblivion.

A very rich man sings his wealthy way of life to a poor man.

The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.

Virginie, Petra and Estelle are stuntwomen. Freedom, glory or a search for power fuel these women’s desire to push their bodies to the limits. But how much violence are their bodies and minds able to take on?

At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor.

They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are-

are they funny in life? Where is the line between their character in the cinema and their real personality?

Jules Guarneri grew up in Villars, with two adopted siblings, in a chalet haunted by the ghost of his mother who died when he was 20, and where his solitary father still lives; the latter presents him one day with his filmed diary. A cumbersome gift that the “filmographer” uses to make it resonate with his own images, thus forging his own emancipating path towards adulthood.

In the middle of a midlife crisis, Sacha leaves his girlfriend and moves into his grandparents' Airbnb. There he meets Marjan, a married Iranian woman. The involuntary encounter becomes a moment of new possibilities.

When he received the 2017 Nobel Prize in Chemistry, Jacques Dubochet saw his life turned upside down. Moving from shadow to light, he is in demand from all sides. What to do with this voice now heard by all? How to find its place and define the struggles to be led? How to become a “Nobel Citizen”, with the objective of assuming his responsibility as a researcher and a member of the human community?