The man has a monotonous job punching tickets for the Japanese railway. One night, while walking home, he saves Jun from getting raped by two hoodlums. A few days later, he sneaks into her house but gets discovered. Later, as he watches his son subdue an insect with a chemical, the man gets an idea to subdue women while they're sleeping so he won't be discovered sneaking into their home. His new hobby spirals out of control as his confidence grows.

A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.

Two of the most radical student groups form the United Red Army (URA) and head into the mountains to conduct a training camp. Ideology devolves into despotism, and the URA's leaders begin to arbitrarily persecute their followers, a harrowing ordeal that culminates in violence and murder.

On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.

During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier but deprived of his arms and legs lost in battle. All hopes, from the villagers and women to close family members, turn to Shigeko, the Lieutenant's wife. She must honor the Emperor and the country in setting an example for all by fulfilling her duty and taking care of the 'god soldier'. Kurokawa prior to leaving to fight in the war regularly beat and berated his wife for her barrenness and inability to bring him a son. When he returns home as an amputee with no hearing and no speech, his wife dutifully attends to him, even though he shows little appreciation for her dedicated care. His main concerns are getting fed and getting sex. Even in his own degraded condition, he manages to berate his wife. Eventually, though, his own memories infiltrate and he is haunted by his horrible, sadistic deeds, performed while in the duty of the Japanese military.

A bunch of young hipsters kidnaps a loving couple and keeps them trapped in a barren landscape. To the sounds of free jazz they are performing various experiments with the couple. In the distance is a yakuza gang keeping track of the youths. Who are really experimenting with whom?

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.

A middle-aged man discovers an injured refugee woman trembling in the corner of his bar in Kabukicho. He quickly becomes aware that her life is in his hands when he learns she is hiding from the yakuza.

Eros Eterna tells the story of a legendary immortal nun who wanders around encountering several people of various conditions.

Based on the factual case of a young man who broke into a nurses' home in Chicago, mutilating and killing several of the inmates, Wakamatsu's film is a precise, sad delineation of a particular aspect of masculine sexual consciousness.

Sequel to "Dare to Stop Us"

On November 25th 1970, a man committed ritual suicide inside the Tokyo headquarters of the Japanese Ministry of Defence, leaving behind a legacy of masterpieces and a controversy that echoes to this day. The man was Yukio Mishima, one of Japan's greatest and most celebrated novelists. With four members of his own private army - the Tatenokai - Mishima had taken the commandant hostage and called upon the assembled military outside the Ministry to overthrow their society and restore the powers of the Emperor. When the soldiers mocked and jeered Mishima, he cut short his speech and withdrew to the commandant's office where he committed seppuku - the samurai warrior's death - tearing open his belly with a ceremonial knife before being beheaded by one of his colleagues. What was Mishima truly trying to express through his actions? And what did he witness during his final moments?

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.

A detective investigating a serial rapist discovers that he and the perpetrator come from the same lineage of depraved individuals, a genealogy of violent and sexually perverse deviants that stretches through the Meiji, Taisho and Showa eras and can even be traced back to the Edo era.

In a housing complex, a college prep student is spying on his neighbor, a former peace activist, who now leads an ordinary life as a housewife, having a secret affair with an ex-lover.

In this bizarre world of distorted human pleasures, we have come to accept the most heinous crimes against mankind as just another example of the degeneration of our species. Even the most jaded individual could not forgive the creators of the Love Robots. Love Robots are beautiful young girls, abducted right off the street who, through a procedure that rivals anything the Marquis de Sade might have dreamt of, are turned into monsters, capable of killing a man or loving him on command.

Sennen no yuraku is set in a small community called “Roji” where Kenji Nakagami—one of the most famous novelists in Japan—drew the absurdity and passion of life since its inhabitants have been living and dying. There were beautiful men in “Roji” who struggled to live with the blood of the Nakamato Clan, blood called “noble yet unholy.” Oryu, a midwife, has watched all those men growing up, living and dying... She is now aging old and starts to talk with the dead men souls of the Nakamoto Clan...

Inspired by the true story of a Geisha murdered in a city famous for its baths, Adachi forged here his favorite style, a kind of conceptual documentary recounting the incident in monotone. The same event that at the beginning of Violated Angels escaped every principle of causality, is portrayed here as a singular anti-spectacle.

From an apartment belonging to a single woman, two detectives spy on sex-obsessed radical.